Tag Archives: mystery novels

The Latest Book Trends

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(I shall begin with a digression. Actually, I can’t guarantee that these are actually the very latest book trends. I buy a lot of my ebooks based on newsletters from FreeBooksy and BookBub because they promote heavily discounted books, not all of which are, technically speaking, new. But most of them cost under $3 and, at the rate I buy books, I need to economize somewhere.)

That said, I have noticed what seem to be trends.

The first one is not a book trend, per se. It’s a trend in book covers. What’s hot right now (apparently) is book covers that don’t show faces. I’ve written about how men on the covers of romance novels are cut off at the neck (so to speak) or lost in the shadow of a cowboy hat, but these books feature mostly women on the covers. And they don’t have faces either.

The most common reason for this is that the woman or women are walking away from the person viewing the cover. (Bonus points awarded if the woman is wearing a red coat.) I don’t know why this trend has come to the fore, but I suspect it’s because the cover designers don’t like to draw faces or don’t want to read enough of the book to learn what the main character looks like. Or maybe the women are supposed to be all mysterious. Or the reader is supposed to imagine the woman having their own face. Like I said, I don’t know.

(A while back I noticed that there was a book cover that featured a man in a top hat walking through the rain, in the night, beside a wrought iron fence. In fact, there were two different books that had exactly the same cover. Both were terribly atmospheric mysteries or dark Victorian tales. I guess someone made the cover for one and an unimaginative art director tried to get away with using it twice. I noticed, however. But I digress again.)

Now, as to the contents of the books, I’ve noticed trends as well. When it comes to cozy mysteries, cats are perennially favorite characters or even sleuths. And Rita Mae Brown credits her cat, Sneaky Pie Brown, as co-author of her mystery series. Cats are as popular as ever, or more so. Every self-respecting woman in a modern romance novel has a cat.

Many of those romances take place in libraries and bookstores. The trope of the young woman who moves to a small town to restart her life, taking up the job of librarian or bookstore owner and meeting the love of her life, after suitable conflicts and misunderstandings, is a common plot. (Librarians are no longer portrayed as lonely spinsters—mostly. There can be an older librarian as a mentor and confidante, at least regarding the book aspects of the story. But I digress more.)

You can easily see what’s coming. The romantic heroine has both a bookstore and a cat. And the covers of the books reflect that. In fact, sometimes the cat and the books are all that appear on the cover. The woman herself is missing in (romantic) action.

One other trend that I’ve noticed in romance novels (I don’t actually read them, you understand—I learn about them through reading blurbs) is that, although traditionally the stories involve reckless, passionate, consequence-free sex (the “zipless bleep” that Erica Jong made so popular in Fear of Flying), is that increasingly, pregnancy results from the sex. (No, I’m not saying that romance novels are getting more realistic. They still involve royalty and billionaires, after all. And men from Scotland apparently are popular now, as in the book titled Too Scot to Handle. But I digress still more.) The pregnancy adds an extra layer of potential complications, such as the impending parenthood needing to be kept a secret.

If you’ve noticed any other book trends, feel free to share ’em. In the meantime, I’ll keep looking for a book that features a man in a red kilt walking through the door of a bookstore with a pregnant cat in the window.

Reading With Abandon

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I’m an unrepentant bibliophile. I started reading at the age of four and never stopped. I prided myself on the number of books I read, even after I grew too old for the library’s summer reading program. However, increasingly, there are books that I just can’t read. (And not because my eyesight is bad. My e-reader makes up for that with its bump-up-the-type-size feature.)

No, the books I can’t – or won’t – read anymore are ones that manage to annoy me. I start reading them and can’t go on anymore. I don’t actually throw them across the room, but I am tempted to. (Except that, as noted, I read on a Nook or an iPad and don’t want to throw those across the room.)

So, what kinds of books annoy me enough to be figuratively tossed across the room?

I buy a lot of bargain e-books. I get multiple emails daily offering books that are not in their first flush of youth or frequently are self-published. Sometimes I even buy them, if the title is interesting or I recognize the author. I do try to check them out a bit before I hit “submit order,” but occasionally a clunker gets by me.

There was one, for instance, that was supposed to be about how stupid decisions affected history. It sounded interesting and only cost two bucks. However, when I started reading, I discovered that every example the author gave involved a stupid decision regarding a military campaign. I was disappointed. I was hoping for stupid decisions in politics, science, medicine, and other fields as well as war. I’m not a big fan of military history – with a few notable exceptions – and I lost interest so rapidly that I abandoned the book after a few chapters, when it became clear there would be nothing else.

I also abandon books with wretched writing. I recently bought a book by a well-known writer that was a sequel to a book I remember from a couple of dozen years ago. I made it about halfway through. I like foreshadowing and setting up a later revelation if it’s done skillfully, but this novel used the “had I but known” gambit that gives away the “surprise” twist. It also used the narrator to give backstories for every character and describe their inner motivations instead of letting the reader discover them through the characters’ words and actions. And these nuggets broke up what should have been a dramatic and suspenseful story.

Another book got on my wrong side because of its descriptions. It was a mystery with a literary setting, which I ordinarily like. But the author engaged in serious fat-shaming, describing an overweight character in not just unflattering but demeaning terms. It was gratuitous, too – had nothing to do with the plot or the character’s character (as it were). It was clearly meant to make the reader dislike the character for her appearance only.

Speaking of mysteries, I have been annoyed by ones that are too easy to figure out. One, for example, gave away the killer in the introduction. I noticed that the author avoided using personal pronouns (which makes the writing very stilted and artificial), and I knew that the brutal killer must be a woman because why else would they leave out “he” or “she”? Then when a female character gave another person a false alibi – thus alibi-ing herself as well – I knew whodunnit and spent the rest of the book trying to interest myself in another character. I actually finished that one, just to see myself proved right.

And I avoid altogether buying books that are the beginnings of series. Oh, I’ve enjoyed – even adored – series in the past, but anymore I want to read a stand-alone book. Maybe it’s because I can’t commit, but I no longer want to be sucked into thousands of pages of text or endless cliffhangers. If a book wants commitment from me, I want resolution. Fortunately, most series now announce themselves proudly as “Book 1 of the XYZ Series,” so I don’t fall into them by accident. At least I don’t have this problem when it comes to nonfiction.

Despite my newfound ability to discard books and refrain from ordering ones that violate my “rules,” I feel a sense of not just disappointment but a bit of self-criticism when I’m not able to stick with a book. I know this is ridiculous – I still have a TBR list that’s long enough to keep me engaged for the next hundred-plus years. Some of them may prove less than captivating, it’s true. But though I may have given up on certain books, I will never abandon my quest for better ones – or my love of reading.

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What Good Is Fiction?

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Nonfiction has purpose. It informs, educates, and illuminates. What does fiction do? Nothing but provide escape.

And what’s wrong with that? Nothing, as far as I can see. If there’s any time when people need escape, it’s now. I don’t have to detail the current political, social, and news situations to know that’s true. At times like these, who doesn’t want to escape to a desert island or another planet?

Actually, escapism has never been a bad thing. There are always things in life that need escaping from. At least there have been in my life. Misunderstanding, bullying, depression, loneliness – fiction helped me escape from these, from Green Eggs and Ham to Alice’s Adventures in Wonderland to A Wrinkle in Time to The Lord of the Rings.

Nor do you need high-brow fiction to provide escapism, though that is there as well. I’ve found escape in Dorothy Gilman’s Mrs. Pollifax books, a cozy mystery/adventure series with included travelogues. In fact, mystery books still provide an escape for me. And science fiction and fantasy, perhaps the ultimate escapist literature, still fill many spots on my to-be-read list, as well as my to-be-reread list. (The fact that I am friends with several sf writers is also a factor.)

I’ve had my innings with classic literature, it’s true, particularly in college, when I was an English major – though one of my favorite courses was children’s literature (aka kiddie lit). If you look at my e-reader, you’ll find Shakespeare and Cervantes along with Grafton, Heinlein, Dumas, and others.

Fiction, like nonfiction, can inform, educate, and illuminate as well – spark thought and inspire to action.

Take Ray Bradbury’s Fahrenheit 451. In that book, it’s poetry (another “useless” pursuit) that helps the protagonist understand the value of literature and the futility of trying to suppress it. It’s still extremely relevant, considering all the book bannings lately. Or take Margaret Atwood’s The Handmaid’s Tale, as appallingly relevant as the day it was first written. Or The Sparrow, by Mary Doria Russell, which has the first contact with an alien civilization being made by Jesuits. If that’s not thought-provoking, I don’t know what is.

There’s also historical fiction, which, while not always totally accurate (we have nonfiction biographies and autobiographies for that), speculates about the inner workings of famous people’s psyches and posits reasons for how they lived. Melanie Benjamin’s The Autobiography of Mrs. Tom Thumb and The Aviator’s Wife, about Anne Morrow Lindbergh, are two examples.

Then there is fiction about fiction and books that provide escape for the mind that cannot be found anywhere else. The Book Thief, by Markus Zusak, is one such. John Irving’s The World According to Garp is another famous example. With books like these, one can delve into the mind of the creative person who provides escape for others.

Of course, nonfiction can be escapist as well. Mary Roach’s Packing for Mars provides an entertaining history of the space program, but also NASA’s current exploration of the possibilities of, well, going to Mars. Now that’s escapism – but not fiction. Histories can whisk us away to another time and place with explorers who climbed Mount Everest or charted the Amazon. Ernest Shackleton’s diaries can take me right out of a sweltering day and make me feel the freezing air and hear the buffeting wind of Antarctica.

I will admit that there’s a lot of nonfiction on my e-reader – including true crime, science, biographies, adventure travel, language, and mental health. But it’s fiction I return to again and again. I recently read a beloved novel that I hadn’t read in at least 40 years, and I still remembered not only the plot but also lines of dialogue. And I’ve tried my hand at writing fiction too, which provided mental escape of a different sort.

So, what good is fiction? Even if it’s only escapism, it’s extremely valuable and not to be sneered at. At its best, fiction can make one’s interior world more vibrant, more fascinating, and more meaningful; and the world around us more wondrous, more exciting, and more entertaining. That’s enough of a recommendation for me.

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The Fisher in Go-Go Boots

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This is my maternal grandmother, Winnie Rose.

We visited her less often than my Kentucky relatives because she lived in Florida. In fact, my first airplane flight was a trip to see her. To give you an idea how long ago that was, DisneyWorld was not yet built, though there was a Visitor Center with a 3D model of how it might look someday. (I didn’t make it to DisneyWorld until I was an adult, when I went with some friends. But I digress.)

Grandma Rose loved fishing and handed down her love of it to my mother. In her old age, my mother took to fishing at local ponds with her church friends or at the city’s recreational center’s pond. She brought home her catch and fried it, unless the pond was labeled “catch and release.” These fresh fish meals disturbed my husband who, despite his occasional desire to be a mountain man, hated to eat any animal that he saw caught or killed.

Once when we visited Grandma, we all went deep-sea fishing. I don’t remember catching anything, but Grandma caught a red snapper, which of course we ate, my husband not being on the scene yet. I wasn’t seasick while I was on the boat, but after I got back to land I was definitely woozy and wobbly.

Grandma also fished from a rowboat, and this solved a family argument. When we kids were teens, we desperately wanted go-go boots. (Remember those?) Our parents wouldn’t get them for us, claiming that they didn’t give enough ankle support, which we thought was just a pretext. Then we learned that Grandma had go-go boots for fishing, as they were exactly the right height to keep water from sloshing inside. Needless to say, we got our go-go boots after all.

Once while we were visiting Grandma Rose, I dipped into her library. There I found mystery books – I particularly remember Nero Wolfe and Agatha Christie. My fascination with these books turned into a lifelong love of mysteries, from Robert Parker to Aaron Elkins to Sue Grafton to Sara Paretsky and many, many others. If there’s a mystery gene, I got it, though it skipped a generation. I also got the crossword and Scrabble genes from Grandma.

One of Grandma’s other hobbies was knitting. She knit fabulous sweaters for the family, all with a little tag inside that said “Made especially for you by Grandma Rose.” There the gene bred true. My mother took up crochet and I did needlepoint and Bargello, plus those awful hooked rug kits.

And lest you think that she was sedentary, in her youth she rode horses. Her other love was bowling. On bowling days, she ate a hearty breakfast of Rice Krispies over vanilla ice cream. It must have worked, because she had dozens of bowling trophies, patches, and other memorabilia. In fact, she went bowling in her 90s, the week before she died.

As you can see from the picture, Grandma Rose had gorgeous, snow-white hair, which used to be naturally red, until her husband died, killed by a drunk driver. After he died, she no longer kept up the red color that he had loved. If I had been born with red hair, instead of acquiring it later, I would have been named Winnie.

Occasionally, Grandma would visit us in Ohio. There was a spare bedroom that we always referred to as Grandma’s room (though it would have made more sense to use it so my sister and I could sleep in separate rooms, at least when we got old enough to fight).

I wish we had lived closer together so that I could have spent more time with her, sharing our mutual hobbies. But I’m glad this picture survived so that I can remember her as I knew her – an active, creative woman who raised lovely flowers, plus three boys and one girl, my mother.