I’m a writer and right now I have a book manuscript floating around the Internet, looking for an agent. Which means, of course, that I’m collecting a lot of rejection slips (emails, really).
A lot of books and articles and blog posts purport to teach you how to deal with rejection, usually by telling you about famous authors whose novels were rejected any number of times before they were accepted. This doesn’t cheer me up or comfort me any, as all I can say is, “Well, I have way more rejections than J.D. Salinger ever did.” It’s a competition I don’t care to win.
Instead, I have decided to schedule my rejections, so that they come in a little more slowly and I can handle them, psychologically. To me, at least, getting a few rejections at a time is better than getting hundreds all at once. That would truly drive me into depression and immobility.
Actually, no one gets hundreds of rejections. Most agents have a policy of “no response means no.” This means that many of my query letters, writing samples, and submissions are lost in limbo – not a yes, not a no, just nothing. (Yes, I know the Catholic Church has given up on Limbo as a Thing. That doesn’t make my metaphor any less appropriate. But I digress.)
So, here’s my schedule: Every day I send out queries – but only three. That’s just the basics, though. Every time a get a rejection email, I cross that agency off my master list of queries sent, and I send an extra query that day. And add it to the master list, of course. The master list also contains the date the query was sent and the name of the specific agent it was addressed to, as well as the agency.
When I say “cross that agency off,” I mean it literally – I don’t delete it from the list. (Strikethrough is a function I use often in Word.) The info remains encoded in ones and in zeros. It’s just that I can’t remember the names of all the places I’ve queried. So whenever I find another potential agent, I use “Find” to see if I have sent to them, been rejected by them, or whatever. (I know there are apps like Query Tracker and just any old database that would do this for me, but I stubbornly stick to my low-tech version.)
I also use the list to keep track of any additional notes: “Closed to queries until March 1st. Try again then.” Or “Re-query in eight weeks.” (That one’s a rarity.)
I must admit that I am running low on agents to query. I don’t think I’ve contacted every available agent in the US, but I’m having a hard time finding lists of agents who are willing to consider mysteries or lists that contain a number of agents to whom I haven’t already submitted.
I have received one semi-positive response – one agent wanted to see a copy of the whole manuscript. And another rejection email – one that I considered a good one – said that I could try them again when I had another project. Although if they didn’t want the first one, I don’t know why they’d want the sequel, which is what I’m now writing.
Maybe I should take on a different project altogether. I don’t really love the genres, but maybe a cozy mystery (if only I could think up a suitable career for the “detective” to have and a, well, cozy setting). Or a romance, though I wouldn’t be able to use my own experience to base it on. I haven’t had a “meet cute” since I met my husband, mumblemumble years ago, introduced by mutual friends at a folk festival.
Actually, what I’m working on is a sequel to the mystery novel I’ve been sending around. My theory is that publishing companies like series more than they like stand-alone novels. Or maybe I should resurrect my early attempt at a mystery novel in which I killed off my rotten-ex-boyfriend-who-almost-ruined-my-life. If that doesn’t make me feel better, I’ll kill him off again in the sequel.