Tag Archives: editing

Writing Advice From an Editor

Want to know more about the writing and editing process? I’ve been a writer and an editor for most of my life. Of the two, editing is easier – looking at a piece of writing and seeing what it needs, rather than producing something worthwhile from scratch.

I’ve learned a lot about editing from other editors, but I’ve also learned a lot about writing from them. Here is some advice, primarily about writing for magazines, which is where I spent most of my career.

Every piece of writing needs editing. Without exception. There is nothing that cannot be improved. I don’t care if you’re Hemingway (who said, “Write drunk. Edit sober.”). Many times pieces of writing don’t get the editing they need, whether because the editor is too lazy or the writer is too famous. I cringed when I heard that an unedited version of Stephen King’s The Stand was going to be released. The original version was seriously overwritten and needed a good editing. I gave up reading King after that. Every piece of published writing gets edited. Or should, anyway.

There are different kinds of editing. Many people think that editing is all about putting the commas in the right place. They’re right, but they’re also wrong. Editing comprises several levels: acquisitions editing (choosing or commissioning pieces of writing for publication); content editing (preparing a piece of writing for publication, including additions and deletions, errors of fact or grammar, and more); copy editing (correcting grammar and punctuation errors and making suggestions regarding style). What most people think of as editing is either proofreading or copy editing. Of course, at a small magazine, an editor may perform more than one of these functions.

There are many reasons a piece of writing gets changed. Not all of them imply that the writing is bad. The editor is not your enemy. Sometimes editing makes a good piece of writing better – or more in line with what the publication needs. A piece can be edited because it’s too long or too short for the space allotted. Cuts may be a word or two here and there, or entire paragraphs.

Work with your editor. If he or she requests revisions, it’s best not to argue. Magazine editors won’t have the time for much back-and-forth. A request for revisions means the editor trusts you enough to fix your own work. Most of the time the editor just goes ahead and makes the changes. If you’re difficult about revising, you likely won’t be asked back.

The first and last paragraphs of a piece of writing often need the most editing. Too many writers write “In the beginning” first paragraphs that start too far in the background. The first paragraph should answer the question, “Why should I read this article?” The last paragraph should tie back to the first paragraph, ask a relevant question, or do anything but say, “Time will tell.”

Your own work is the most difficult to edit. It’s hard to gain enough distance from your own writing to analyze it. One thing you can try is to put the piece away for a day or two, or at the very least a few hours. Work on something else, preferably something entirely different. Then come back to the first piece with a clear mind and more perspective. You could also try reading your writing aloud. If a sentence is difficult to say, if it rambles, or if you lose the thread of it, it probably needs shortening or rewriting.

Don’t spend too long trying to fix a stubborn sentence. Make it into two shorter sentences, or reframe the thought and write it a different way. There’s always more than one way to express a thought. You can express a thought in many ways. Thoughts are adaptable to many grammatical forms. If a sentence doesn’t work, find some other way to say it. Your first attempt at a sentence doesn’t have to be your last. Stay open to alternate modes of expression. Your sentences aren’t chiseled in granite.

(See what I did there?)

Editing is a process. If you edit your own work, you may want to make more than one editing pass. The first time, read for meaning. The second time, read for grammar and style. Then read for punctuation. If you try to do all of them at once, you’re sure to miss something – especially if you’ve already found an error on a page.

Do not trust spelling or grammar checkers. A spell checker can’t tell whether you meant “form” or “from” and accepts either as a valid word. You may have used a sentence fragment on purpose, to achieve a particular effect. That’s why you need a human editor as well as a machine.

Love them or hate them, editors are not going to go away. They are the gatekeepers of published writing and, at their best, they are resources to help you make your writing more effective, more correct – and more publishable.

 

What’s in a Number?

The Top 5 Breakfast Sandwiches in L.A.

12 Reasons to Hire a Wedding Planner

11 Grammar Lessons From the CIA Stylebook

10 Fun Uses for Old Card Catalogs

9 Bizarre New Snacks to Try

5 Weirdest Gins and Vodkas You Can Buy

4 Words Parents and Kids Should Never Say

What do all these headlines have in common? That’s right – numbers.(1) Now read them again without the numbers. Are the headlines any better or worse? Reasons to Hire a Wedding Planner. Fun Uses for Old Card Catalogs. Weirdest Gins and Vodkas You Can Buy. What’s wrong with those?(2)

I never understand number-crunching headlines.(3) I always find myself asking, “Why 10 fun uses and not 9 or 11? And couldn’t the Wedding Planner have stopped at 10? Or bumped it up to a baker’s dozen?”(4) Someone somewhere must have done a study revealing that if a headline has a number, more people will read it.(5)

Maybe it helps people plan their day: “5 breakfast sandwiches and I’m done! That should be just about right for my morning dump. I’ll save the CIA grammar one for lunch hour.”

There are a few things I know after years of editing, and one of them is this:(6) If you mention a number in the headline, it is a solemn vow to the reader. There should be that many fun uses for old card catalogs – no more, no less. All the readers with OCD are checking.(7)

Even more annoying are the headlines that combine letters and numbers: The 3 Cs of Forklift Safety.(8) Or worse, the ones that try to help you remember the number of points with a stupid acronym: The CHILD Plan for Preventing Tantrums. Invariably, one of the letters is an Elastic Man Stretch (I – Invent something for the child to do.), or the author calls it the CHiLD Plan because she can’t think up an I any better than “Invent something for the child to do.” (9)

Maybe this fixation with numbers began with David Letterman’s top 10 lists. Maybe it was Keith Olbermann’s Countdown. Maybe it was even pop music’s Top 20 or childhood’s Ten Little Indians rhyme (or, I suppose, Agatha Christie’s mystery novel).(10)

However it started, it doesn’t look to be going away anytime soon. There are probably 5 or 14 or 600 reasons for that. I’m sure I’ll be reading about them all by next month, if not sooner.(11)

(1)  Also, they’re all real headlines, even the one about the CIA Stylebook.

(2) Nothing. Except the gin and vodka one. The only flavored gin you need is lime and the only flavor to add to vodka is more vodka. A friend once wrote a song in which he mentioned “cranapple schnapps.” He had no idea how prophetic he was being.

(3) Though I am fond of numbers. I even celebrate Pi Day, March 14, yearly.

(4) 2 Reasons No One Says “Baker’s Dozen Anymore.” No one knows that it means 13, and bakers don’t give away free cupcakes anyway, especially if they’re for a gay wedding. Plus, the bakery boxes are all made to hold 12. Oops. I guess that would be 3 reasons.

(5) There’s probably also a study that says whether the number should be odd or even, though our sample headline writers don’t seem to have read it. I know that in graphic design, odd numbers are preferred – 3 bubbles filled with text, 7 scallops in the top border, and so on. I think it’s a rule invented by the same people who insist on 3-letter acronyms: LOL, FTW, AAA, WWW, TIL, RLS, IBS, OCD, ADD, WTF? I’m just glad there’s a website where I can look up what they all mean.

(6) Another one is this: Those hyper-annoying cards that fall out on your feet when you’re thumbing through magazines? They have a name. They’re blow-in cards. No one knows who invented them, so you can’t send hate mail. The kind that don’t fall out on your feet are called bind-in cards. No one knows who invented those either, so you can’t send a thank-you card.

(7) With any luck, the editors, nearly all of whom are at least a little OCD, will be checking.

(8) Conceal the keys. Conceal the keys. Conceal the keys.

(9) Invest in a sugarless candy’s stock. Insist your spouse take your child to the grocery. Instruct your child in anger management. Increase your dosage of Xanax.

(10) Although I expect that today’s children recite more politically correct counting rhymes and no mystery editor would let such a title through these days.

(11) Sorry about all the footnote numbers. They probably made this post more complicated than necessary.

Language Police and the Grammar Nazis

For most of my life I’ve been a grammar nazi. For part of my life I was a member of the language police. At one point, my business cards even identified me as punctuation czar.

I now have regrets.

In general, I hate the language police. However, I do understand their philosophy, and it’s not wrong. The implementation of it is sometimes questionable and heavy-handed, but the theory is sound. How we speak and the words we choose to use do affect our thinking. The reverse is also true. Our thinking determines our language choices. If you want to change one, changing the other one is one of the easiest routes. You can see its effectiveness in the fact that n-word is no longer acceptable not just in polite society, but in any context. The next to go will be the r-word, a much-used schoolyard taunt in my childhood. The world is better off without both of them.

Does eliminating the terms mean that people no longer think them or think of people in those terms? That’s a tough question, but we hope the change is real and positive. If there’s a chance that it is, the effort is worth it, even if restrictions of language choices seem foolish, feel dictatorial, and are easy to mock.

Indeed they are easy to mock. Hence the term “politically correct,” now a code-word for any words or phrases you think are unnecessary, clunky, or purely propaganda. Who hasn’t laughed at the saying, “I’m not overweight; I’m under-tall”? Who hasn’t winced when nouns (“slaves”) become long phrases (“person who is enslaved”). (The point of that one is to make the hearer think of the person first, and then the condition – slavery – and realize that slaves are not intrinsically slaves and not automatically slaves forever. They may have been free in the past or will be free in the future. I’m not sure that example will be successful. But “person with dyslexia” is, I think, better than “a dyslexic.”)

Textbooks these days are rife with examples, and when I wrote for and edited textbooks, I had to police the language. We couldn’t talk about birthday parties or vacations because some kids had never had one. We couldn’t talk about dragons, even in fiction because that might imply magic and hence Satanism. I once spent hours trying to think of a breakfast food that would be recognizable in most cultures. The best I could come up with was “juice.” Our joke was that the only acceptable words in the title of Hemingway’s The Old Man and the Sea were “the” and “and.”

Being a grammar nazi is a different matter. I used to take delight in knowing all the rules and enforcing them ruthlessly. Gradually I have gotten away from that practice. I felt it was impolite to go around correcting people unless they had asked for my help. I still corrected my family because – hey – it was mentally painful to be around people who misused hopefully or split infinitives. Or who mispronounced “nuclear” or “foliage,” for that matter. But I would keep my cringes inside when my boss mispronounced “sarcophagus,” until he finally asked me, “Is that how you say that?”

Over time, though, I’ve loosened up my standards a little bit. Before I was a prescriptivist (believing in and enforcing rules), but the older I get, the more I am moving in the direction of descriptivism (accepting the way people really talk). (Except in writing, which is more formal. And don’t tell me I just used a sentence fragment and started a sentence with a conjunction. That is the sort of thing up with which I will not put.)

I can thank linguistics for this shift in perspective. In one of my linguistics classes, I disputed with another student about whether a certain usage was sub-standard or non-standard. I was firmly on the side of non-standard. How I reconciled that with my insistence on the Oxford comma, I’ll never know.

The watershed moment in the prescriptivist/descriptivist debate came when one of the major dictionaries decided not to include usage labels like “vulgar” and “slang.” Essentially they were declaring that all words were equal in the eyes of the lexicographers. This caused quite an uproar. If there were no standards for usage, how could we prove that we were better than the people who spoke sloppily or incorrectly?

My soul was torn.

The change that came over me was due in part to a stunning revelation – that the English language and the Latin language are two separate animals. The old bugaboo about not splitting infinitive, to which I was passionately devoted, has its source in the fact that in Latin it is impossible to split an infinitive. Latin infinitives are all one word. It makes no sense to transfer that rule to English. “To boldly go” would not be possible in Latin but now is perfectly acceptable – to me – in terms of grammar as well as rhythm and meter.

I still can’t abide weather forecasters, though. “Rain shower precipitation activity”? What? Do they get paid by the word?

I Was a Teenage Ninja

Well, no I wasn’t. I wasn’t a mutant, either. When I was a teenager, no one in America had heard of ninjas.(1) At that point, they hadn’t even heard of Ninja Turtles.(2)

But let’s back this train up. It all started (for me, not the ninjas) in Philadelphia (for the ninjas, it started in Japan), and ironically, because of trains. I was staying in Hatfield and wanted to visit some friends across town.

“I don’t think you should do that,” said my then-fiancé (now-husband). “You have to change trains. And you have to walk through a scary, dark, underground tunnel in a bad section of town, at night, to get to the other train.”

Needless to say(3), I stuck out my lower lip so far you could stand on it; crossed my arms in front of me like the Great Wall of China,; and glared my special, patented, death-to-you glare. Dan, who is adept at reading body language, correctly interpreted this as, “You can’t tell me what scary, dark, underground tunnels I can or can’t walk through.”

I was going to explain that several times I had spent the night in the Cleveland bus terminal (midnight to six) and survived, but I would have had to admit that I sat in the roped-off area for women and children only(4), so it wasn’t all that scary and I wasn’t all that brave.

Anyway, not being an idiot, I postponed the visit, and made a solemn oath that as soon as I got home, I was going to take a self-defense class, which is what you did back then instead of simply packing heat, which self-defense classes at the time did not recommend.

I checked out the offerings in the local adult education catalog from our local school district. One of the classes listed was Ninjutsu Self-Defense. Hm. Interesting. It was not a “sport” martial art and didn’t require a gi, so I signed up. The instructor was Stephen K. Hayes.(5)

After six weeks of learning various kinds of punching and kicking, plus falling and rolling, I decided to continue training. The only problem was, there was no follow-up course. What there was, was an informal training group that met weekly behind an apartment complex and next to a cemetery.(6) (Later the group became a more formal organization and met in a rented space underneath a strip mall. Very stealthy.) We were early adopters of the butch camo look, with “tiger-stripe” (Vietnam jungle) camo being considered the sexiest variety.(7)

As self-defense, ninjutsu was very practical. It also made a lot more sense to me than the usual women’s self-defense advice and tips so prevalent then (and perhaps even now). You know the kind: Poke your attacker in the eyes. Carry your keys protruding between your fingers for use as a weapon. Go for the gonads. Well. The eye-poke and car keys will ensure a pissed-off attacker and guys expect you to target their junk, so they automatically defend against that. And they don’t have to take classes about protecting the ol’ gonies.

No, the concept was “body weight in motion.” I can easily describe this philosophy. The human knee is a delicate structure that does not willingly go in very many directions. Drop 100+ pounds of anything – sack of potatoes, log, female human – on it in one of those non-standard directions, and the knee will no longer function well. You have not merely a pissed-off attacker, but one that probably cannot limp as fast as you can run screaming for help. Plus, you can make it look like you just slipped and fell on him, which is a good thing if it ever goes to court.(8)

Every summer there was a camp, which was nothing like what they air now on TV “reality” shows. We learned interesting Japanese weapons, such as the bo, hanbo, tanto, shuriken(9), kusari fundo, and (my favorite) the kyoketsu shogei. None of which I tend to carry around, but all of which use principles transferable to modern, everyday items like mops and steak knives and even large-caliber dog leashes. We also learned pressure points and other painful techniques, which are fun, and also work fine against a larger attacker. One year at camp I had the pleasure of watching Masaaki Hatsumi, the little, old Grandmaster, easily maneuver an assistant sensei into the ground and feed him grass while apologizing profusely but insincerely.

Yes, we learned lots of useful things. For me, the most practical technique proved to be editing the club newsletter. It was more of a 16-page non-glossy magazine, and when I applied for my first real editing job, it was prominent among the samples of my work I had to show.

I got the job. And I didn’t even have to feed the interviewer grass.

Now I edit like a ninja. I wield my sword of strikethrough and the red font trails across the screen like pooling blood. I leave sliced paragraphs in my wake, still alive and considerably shorter.

(1) Unless they read James Bond novels, but everyone just went to the movies. Well, not everyone. I didn’t. So I don’t know whether the ninjas played any part in the movies. But they were mentioned in one of the books, which was really my point.
(2) An artist friend of mine said, “You mean children are going to hear the names Donatello and Michelangelo, and think they’re turtles?!!!?”
(3) But I’m going to anyway.
(4) Really.
(5) http://en.wikipedia.org/wiki/Stephen_K._Hayes
(6) And you can bet there were many jokes made about that.
(7) See http://www.spoonflower.com/fabric/1678959 for an example. No, I don’t know why an outfit called spoonflower sells camo. Other varieties of camo include woodland (summer or fall), which looks really stupid if you wear it in the desert, which two characters in a movie once did, desert camo, and international orange camo, which sounds really stupid but is actually the best for hunters of color-blind animals like elephants and deer.
(8) It most likely won’t.
(9) Which are nothing like you see in the movies. You cannot kill someone with a shrunken to the forehead (though my husband did once break a garage window with one). They are more for distraction, or, if they’re good and rusty, able to cause death by tetanus, at least back when they were invented and tetanus vaccine wasn’t.

I’m a General(ist). You May Still Salute.

The other day I was talking with an old friend about my time at Cornell. I was concerned/regretful/annoyed that I had wasted my time there. There was so much more I could have done if only I had been properly prepared and focused.

Digression: He was excited. “Hey! I had sex with an Ivy League coed!”

Cornell had what they called “distribution requirements,” meant to broaden a person’s education by forcing them to take classes outside their major and even outside their College.

Digression: They also made everyone learn to swim and/or pass a swimming test. I cheated. I can still barely swim.

Of course I was an English major in the College of Arts and Sciences. Here’s what I took in addition to poetry and Chaucer and Shakespeare and Creative Writing and all that stuff:

Astronomy (with Carl Sagan)

History of Science in Western Civilization (with L. Pearce Williams)

Communications

Bee-keeping

Russian

French (Literature. In French.)

Intermediate Archery (twice)

Linguistics

Cinema

Wine-tasting (now there’s a surprise)

And a bunch of other stuff that has been lost that in the Swiss cheese that is my memory.

And what use is all that? Except for being on Jeopardy, which I never have been? Or laughing hysterically at The Simpsons when Ned asks that alternatives to Darwinian evolution be taught and Principal Skinner suggests, “Lamarckian evolution”? What possible career could all that prepare me for? I’m not an expert in anything.

Surprisingly, I realized, it prepared me for exactly the career I have: writer and editor.

I can’t write or edit for specialized or technical journals, but I can write and edit the hell out of general interest material and educational fodder for developing young minds.

I know just enough biology to explain how vaccines work.

I know just enough politics to tell the differences between socialism and fascism.

I know just enough art to differentiate Pointillists and Cubists and Impressionists.

I know just enough Greek and Latin roots to explain words like “apnea.”

I know just enough religion to tell you what “original sin” is. (Hint: It’s not sex.)

I know just enough history to tell about Catherine the Great. (Hint: She didn’t die having sex with a horse.”)

I know just enough psychology to tell you the differences between grief and clinical depression.

I am a generalist. My education may not have been deep, but it sure was broad. (Hint: Do not call me a “deep broad.” I know just enough martial arts to make you regret it.)