Category Archives: books

Roommate Roulette

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When I spent time in a skilled nursing facility recently, I quickly learned that one didn’t find a compatible roommate. The choice was up to the whims of the powers that be. It could turn out either good or less-than-good. (My insurance company would only spring for a double room, so there was no chance of a private one, except on the occasion when my roommate happened to move out. But I digress.)

All-in-all, my experiences varied from okay to excellent. My first roommate was Norma, who was quiet and inoffensive, but unfortunately addicted to the TV show Gunsmoke, which she watched all day long. I suppose I could have raised an objection, but I was determined to keep the peace and, after all, I could hardly inflict on her eight-plus hours of cooking shows and Star Trek reruns. Norma was released to go home, however, and I had the room all to myself, my chefs, and my aliens.

The next time I returned to the facility, my roommate was Brenda, a woman with a large family who created quite a commotion when they all visited at once, though that was not often. When it happened, I retreated to Pandora and my earbuds (a must for any stay in such a facility).

I was moved to another room when Brenda developed an infection and had to be isolated. (Since we were then across the hall from each other, our Physical Therapist arranged for us to have weight-lifting sessions in our doorways so we could see each other and chat. Sometimes, Shirley, the lady next door to Brenda, joined in as well, and we all chatted while doing curls. But I digress again.)

My best roommate, however, was my third one, Darlene. She didn’t care for TV and had only a few visitors. Among her other ailments, she had PTSD, so she preferred to keep the curtain between us pulled and wouldn’t be distracted by comings and goings in the hall.

The curtain proved no impediment to our growing friendship, however. We started bonding over our shared love of murder mysteries and true crime books. Naturally, the subject of Jack the Ripper came up. (As it does.)

“When we were in England, my husband and I took the Jack the Ripper walking tour,” I shared.

“Oh!” Darlene exclaimed. “I’ve always wanted to go on that.”

“It was a foggy, drizzly evening—very atmospheric. And we booked our walk when Donald Rumbelow was guiding it.”

She recognized the name immediately. “Donald Rumbelow! I’ve read his book on Jack the Ripper! He’s the best!”

“That’s why we chose a tour when he was leading. We also went to 221B Baker St. and saw the Sherlock Holmes Museum. It was a small, narrow building sandwiched between two others. Every floor had displays related to his famous cases. The top floor held a toilet with a blue Delft-like design in the bowl. It looked much too pretty to use. Even if you could make it up all six flights to get there.”

“You’ve been to the places I’ve always wanted to go and done the things I’ve dreamed of doing! Tell me more!” We were off and running on travelers’ tales.

After that, we dissected our favorite mystery series and recommended them to each other. We talked about holidays and favorite foods and family and pets. We spoke of exes and jobs and rated the nurses and aides. We cheered each other on about the distance we’d walked during physical therapy.

And we talked politics. I had been reluctant to share my political views with anyone at the facility, knowing how divisive, not to say explosive, such talk can be. But once again, Darlene and I were completely in sync. We despaired of the state our country is in and blamed the same people for it. When neither one of us could sleep, we talked well into the wee hours of the morning.

Darlene had a birthday while we were both residents, and she shared it with me. Literally. We each ate half of the yummy carrot cake with cream cheese frosting that her family brought her. She reveled vicariously in the little anniversary dinner that Dan arranged for me, which featured sushi, electric candlelight, mood music, and ginger ale in champagne glasses. Dan brought Darlene a case of Diet Cokes and a box of plasticware that her arthritic hands could manage at mealtime. (The aides often forgot.) She let me watch Practical Magic on her DVD player and I ordered her a copy of Fletch when she told me how much she liked it.

I’m out of the facility now, but Darlene is in for the long term. Today, we’re going to stop by and surprise her with a box of the cheese-and-peanut-butter crackers she can’t resist. I can’t wait to see her face light up.

Down the Rabbit Hole

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Almost five years ago, I wrote a post about how memories from my (and likely your) childhood were being repurposed for political statements and propaganda.

This time I’m writing about a classic piece of literature being rewritten for other purposes. (Largely unobjectionable ones, it’s true, but it’s the principle of the thing. But I digress.)

The work in question is Alice’s Adventures in Wonderland (more often known as Alice in Wonderland). It’s one of my favorite pieces of literature and I have returned to it many times since I first read it (murfle) decades ago.

(I have a friend who despises Alice. He finds it to be nonsense (which it obviously is) and incomprehensible. This despite the fact that he has returned to it frequently to see if it makes any more sense. (He ought to like at least part of it because he’s a mathematician, like the author, Lewis Carroll. I recommended The Annotated Alice (edited by Martin Gardner), which explains the jokes, Briticisms, and outdated expressions. (It also includes “Jabberwocky” in French, German, and IIRC, Latin.) But I digress, pedantically and at length.)

The “quotations” in question are not political but psychological or philosophical. I’m not saying they’re invalid—merely that they are misquoted, misattributed, or completely made up.

One of the most common misquotes is attributed to the Cheshire Cat:

“You’re mad, bonkers, off your head. But I’ll tell you a secret. All the best people are.”

What the Cheshire Cat actually really said is much more complex. Here’s the context:

“But I don’t want to go among mad people’” Alice remarked.

“Oh, you can’t help that,” said the Cat: “we’re all mad here. I’m mad. You’re mad.” 

“How do you know I’m mad?” said Alice.

“You must be,” said the Cat, “or you wouldn’t have come here.” 

One quotation supposedly from the Mad Hatter is:

The secret, Alice, is to surround yourself with people who make your heart smile. It’s then, only then, that you’ll find Wonderland.

Unobjectionable if sappy, but not from the book. The same with this one:

But, said Alice, if the world has absolutely no sense, who’s stopping us from inventing one?

The most annoying fake dialogue is this one, between Alice and the White Rabbit.

“Do you love me?” Alice asked.

“No, I don’t love you!” replied the White Rabbit.

Alice frowned and clasped her hands together as she did whenever she felt hurt.

“See?” replied the White Rabbit. “Now you’re going to start asking yourself what makes you so imperfect and what did you do wrong so that I can’t love you at least a little. You know, that’s why I can’t love you. You will not always be loved Alice, there will be days when others will be tired and bored with life, will have their heads in the clouds, and will hurt you. Because people are like that, they somehow always end up hurting each other’s feelings, whether through carelessness, misunderstanding, or conflicts with themselves. If you don’t love yourself, at least a little, if you don’t create an armor of self-love and happiness around your heart, the feeble annoyances caused by others will become lethal and will destroy you. The first time I saw you I made a pact with myself: ‘I will avoid loving you until you learn to love yourself.’”

The White Rabbit was late to play croquet with the Queen of Hearts. He wouldn’t have had time to discourse on self-love.

Alice has been in the public domain since 1907, so one can misquote or invent all they want. (The Disney movie version only came out in 1951, The book was in the public domain, but the movie isn’t. I think we can expect a live-action film. I hope they lose the repellent pink-and-purple Cheshire Cat, though I doubt they will. But I digress again.)

Surely no one would do this kind of thing to The Wizard of Oz…or would they? [squints suspiciously]

New Love Languages

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Noted author Gary Chapman has written that there are five “Love Languages.”

They are physical touch, quality time, words of affirmation, acts of service, and gift-giving. Others have suggested that there are seven love languages that add emotional support and intellectual sharing to the total. (These all sound just fine, but trouble arises when a couple speak different languages. If one offers physical touch and the other longs for quality time, they’re destined to clash. But I digress.)

I would like to suggest two more: baton twirling and cake decorating.

In general, I don’t care for cheerleaders, especially the ones for professional sports, who wear the skimpiest of outfits and do the lewdest of dances. That’s the stereotype, at least. I understand that nowadays, cheerleaders perform acrobatic moves and build themselves into complex pyramids. (Evidently, I need to rethink my prejudice regarding cheerleaders. But I digress again.)

Baton twirlers, on the other hand, I hold in higher esteem. They have a talent to show that involves a piece of equipment and dexterity. (Not completely unlike the tuba player in the marching band, who never gets the credit they deserve. But I digress some more.)

However, I discovered something when I talked to a coworker. Her daughter was a baton twirler, and Mom watched her practice in their yard, offered tips from her own twirling days, and came to every game she twirled at. What I realized was that it was her mother’s way of speaking love. If you define it in terms of the seven love languages, the eighth one (baton-twirling) could also be called consistency.

Consistency comes in any number of ways. The key element is being there. Someone who gives consistent attention is someone you can rely on. They’ll read your novel drafts (every time you rewrite them) and accompany you to all your dreadful office parties. You just know that when you need them, they’ll be there, whether that’s to remove a tick or (to choose an example not totally at random) open a letter from the IRS. Or watch you throw a stick in the air and catch it.

The other love language I learned about (cake decorating, in case you’ve lost track) was also inspired by a coworker. Every year, she created a cake for her son and decorated it in honor of one of his interests—cartoon or comic book character, motocross, whatever he happened to care about that year. These were elaborate decorations, not just a toy motorcycle popped on top of a bakery cake or something similar. They were elaborate, decorative, inspired, and personal. I’ve seen the pictures.

(It should be noted that this was in the days before everyone learned how to make buttercream roses, tempered chocolate, Swiss meringue, macarons, gelees, mousselines, molecular gastronomy, and all the other spiffy elements you can learn on YouTube or Food Network. But I digress yet again.)

I would call this the love language of creativity—making something special with your hands for a loved one. It doesn’t have to be something edible, though of course it can be. A flower you’ve grown yourself, a bookshelf you’ve crafted, or a refurbished treasure that’s been broken or forgotten are all examples of creative love. (My husband and my mother found a rag doll of mine (Raggedy Johnny, like Raggedy Andy, only John Denver) in disrepair after a move and fixed him up. That’s the sort of thing I mean. But I digress even more.)

I don’t expect baton twirling or cake decorating to appear in the next edition of the Love Languages book. But I do think that Consistency and Creativity deserve consideration. So does Consideration. After all, at heart, aren’t all love languages Consideration?

Dan’s Only Friend

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The phone rang and Dan picked it up. He held it out to me. “It’s your friend,” he said.

“Which friend? I replied. “My friend Robbin?”

“No, he replied.

“My friend Beth?”

“No.”

“My friend Tom?”

“No.”

“My friend Kim?”

“No.”

“My friend Jean?”

“No.”

“My friend Peggy?”

“No.”

“My friend Leslie.”

“Yes.”

“Geez,” I said, snatching the phone. “You make it sound like I only have one friend!”

The irony was that Dan worked in a place where friends were hard to come by. His hobbies are solitary, like working in the garden, reading about archaeology, and watching old movies on streaming services. He doesn’t like sports or going out drinking. Then he went to a support group, where he made one friend, John.

Whenever John called for Dan, I was truthfully able to say, “It’s your only friend.”

John caught on and was amused. Sometimes he would call and say, “Tell Dan it’s his only friend.”

(Dan also continued the joke with me. Someone would call for me and I would ask, “Who is it?” He would say, “It’s your only friend.” I would reply, “Is it my only friend Kathy?” “No.” “Is it my only friend Mary Jo?” “No.” And so on. But I digress.)

At one time, there were friends we shared. Beth, for example. Dan met her at a job they both worked at. One evening, however, we went to a work party and Dan introduced us. We got on the topic of science fiction.

“You’ve got to meet my husband,” Beth said. “He loves Isaac Asimov. He’s read everything he’s written.”

“Oh?” I replied, without thinking, “He’s written 200 books.” (Later, he wrote even more.)

Then we talked poetry and Beth, abashed, admitted that her favorite poet was Ogden Nash. (He’s considered pretty low-brow, but I can recite several of his poems, which I enjoy for his ingenious rhymes “platinum” and “flatten’em,” for example. But I digress some more.)

Beth was intimidated. (I have that effect on a lot of people for some reason.) But we became friends anyway. Once when Dan was lamenting that he had only one friend, I pointed out that he was friends with Beth before I was. “You stole her,” he replied.

There was a chance that I would steal John as well. He and I had a lot in common, like country music and murder mysteries, which we could talk about for long enough to make Dan feel left out. But instead of one of us claiming his friendship, we ended up sharing custody.

John and Dan would go off together on occasion without me. When I asked where they went, Dan would only reply, “That place.” They would never say where it was. (I figured it wasn’t a strip bar, since Dan had gotten them out of his system in his youth.)

Then John and I started going off on our own, just the two of us. (We called them our “hot dates.” A typical one would be thrift shopping, lunch at a diner, and a shared bag of M&Ms for dessert. We never told Dan what they consisted of. But I digress again.) (Once we went to a tobacconist (John smoked a pipe) and it was all I could do not to say to the proprietor, “My hovercraft is full of eels.” Yet another digression.)

All of us were cool with this arrangement. There was no jealousy or fighting over our outings. But John passed away a number of years ago, upsetting the balance of our friendships. We both still remember him fondly.

Now, I’m Dan’s only friend.

The Good, the Bad, and the Others

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The Wicked Witch used to be a villain. She tried to kill Dorothy and her companions. She enslaved flying monkeys. She wanted revenge for her sister’s accidental death.

Now she has her own musical and movie.

The elevation of villains is a thing now. Personally, I blame Star Wars. I was once visiting some friends who had a young son. He held up his Darth Vader action figure and said, “This is my friend.” (This was in the days before the proliferation of Star Wars movies culminated in Vader’s redemption at the last possible second. But I digress.)

My theory is that villains have power but few limits. It’s no wonder youngsters view them as positive influences. When Darth Vader is your friend and protector, you share in his power. You fear nothing.

Maybe this rise of the villain started with the rise of the anti-hero. Let me explain. And let me use Buffy the Vampire Slayer (one of my favorite TV classics) as my vehicle. (Actually, I’m going to do it whether you let me or not. So there. But I digress some more.)

Here’s the backstory, for those not familiar with the Buffyverse. Buffy’s first love was the vampire-with-a-soul Angel, and he was a Byronic hero, a type that became popular when Byron (duh) was writing poetry. Byronic heroes are tortured souls who waft around in black clothes and clouds of pain. They’re never cheerful. They don’t crack jokes. They suffer from existential angst. They have troubled pasts and isolate themselves from society. (Other Byronic heroes include Batman holed up in his Batcave, grieving over his dead parents. The Brontes knew their Byronic heroes, too. Mr. Rochester and Heathcliff are classics. But I digress yet again.)

In opposition to the Byronic hero, we have the anti-hero. They don’t behave according to the heroic model. They’re “bad boys” who manage to dominate the plot and achieve their goals despite being misunderstood or refusing to follow convention. Think Han Solo, Captain Jack Sparrow, or in the case of Buffy, Spike. He’s never going to be Buffy’s Great Love, but he has his uses in her world. (Deadpool and Robin Hood are two other examples who would never have a beer together but occupy similar literary spaces. I suppose Dexter would be the ultimate anti-hero. Still more digression.)

No, wait. Satan is the ultimate anti-hero. Take a look at Milton’s Paradise Lost. Lucifer has agency and is the more interesting character. At some level, the reader roots for him. They know God’s going to win. That’s a given. But Satan’s quest, while reprehensible, is also on some level noble. (I’m talking literary characters here, not theology. But I digress again. And as Jean Kerr said, in reference to the story of Adam and Eve, the snake has all the lines. But I continue digressing.)

So, what makes the bad guys more interesting guys? For one thing, they’re deeply misunderstood. They’ve often been victims of bullies or of an uncaring, unfair society. They touch the darkness, the “shadow self” that lives within each of us. We recognize ourselves in them, identify with them in ways we simply don’t with standard heroes. We’d like to identify with heroes, but we know they’re better than we are.

Standard heroes require supervillains to make them at all interesting. Without Lex Luthor, Superman just flies around foiling ordinary bank robbers. Without Moriarty, Sherlock Holmes is simply Columbo. (I could say that without elusive diagnoses and the looming specter of death, House is basically Doogie Howser, but I won’t. That would be ridiculous. There’s also misanthropy. But I digress some more.)

Personally, I respond more to anti-heroes than Byronic heroes. Pure villains don’t interest me, but neither do sanctimonious heroes like Galahad (“My strength is as the strength of ten because my heart is pure.”). But when it comes to the villains and heroes in the wrestling ring, I don’t give a fig for any of them. Besides, they change places so often that you need a scorecard to tell which is which. (Don’t assume that this means I watch “pro” wrestling. I learned about their ethical switches from the New York Times. Go figure. But I have finished digressing. For this week.)

How to Start a Conversation

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I never used to be any good at small talk. I would stand there, tongue-tied, while conversation went on around me. I was afraid I had turned invisible.

Then I met Erma the Armadillo, pictured here. She’s a purse that my mother bought for me from a catalog called, appropriately, What on Earth. This was back in the 90s, and I don’t think she spent more than $25 on the purse. When it came time to scare up a photo to go with this post, I found that today Erma is considered “vintage” and sells for as much as $140, used.

(I have a thing about armadillos. I fell in love with them when I learned that their main defensive technique is to jump straight up two feet, and their main natural predator is the automobile bumper. My defense mechanisms are like that, too. But I digress.)

Erma was actually a lousy purse. She was stuffed with cotton and had only a small zippered slot that would barely hold a driver’s license and a little cash. I had to carry anything else in my pockets. But what she was good at was starting conversations. Not that she spoke, but when other people saw her, they did.

People were fascinated. They always remarked on what an unusual purse Erma was. I would point out that she even had little tiny toenails printed on her stubby little feet. They’d ask where I’d gotten her. They’d ask why I wanted an armadillo purse. They’d ask more questions and share about other purses they’d seen or owned. Children were especially captivated by Erma. They couldn’t get over the fact that she wasn’t a toy and that she had handles. They always wanted to touch her, and I always let them.

When it comes to starting conversations with strangers, I always recommend accessories. My jewelry collection has some peculiar specimens. I have a sushi necklace that my friend Leslie made for me from air-dry clay. I also have a pair of bacon earrings, though I never mix cuisines in an outfit. Another set of earrings that people found amusing were the ones that looked like the planet Earth, complete with continents. (When I wore them, I liked to shake my head violently and shout, “Earthquake!” But I digress again.)

Conversation goes both ways, of course. “That’s an awesome (fill in the blank). Where did you get it?” is a good start on a good chat. People love to tell stories about their possessions, gifts, travels, etc. From there, conversation is an easy two-way street.

(It can fall flat from time to time. I once shared an elevator with a woman who had itsy-bitsy feet. I felt like I might have been staring at them. So I cleverly said, “Those are great boots! They make your feet look really small!” She replied, “They are really small.” After that, the conversation, and the elevator ride, ended. But I digress some more.)

I don’t know how people who don’t have unusual accessories start conversations. “Is that a good book you’re reading?” is one ploy, but it hardly ever works. Most people don’t read books in public, and if they do, they don’t like to be interrupted. And when I read books in public (which I do), I read them on my e-reader or phone, so the general public just thinks I’m doom-scrolling (which I don’t do).

Erma is no longer with me. Her handles wore out and Dan was unsuccessful at replacing them, which he tried to do. I don’t go out much anymore but when I do, I miss her. And the conversations.

The Tyranny of SEO

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There’s a phenomenon called “search engine optimization,” or SEO for short. And I’ve grown to hate it.

The idea of SEO is to increase the chances of your post, article, book, or whatever being at the top of the responses to a Google search. Writers and publishers in particular are invested in making sure that their wares gain the attention of Google and then potential readers.

SEO works by focusing on keywords. There are certain words and phrases that people search for more than others. If your work contains these words, it will appear further up the Google results and, presumably, increase sales. It’s all about “search visibility” and marketing strategies. There are plenty of books and websites that teach you how to improve your SEO game.

What are some of the best, top keywords that people search for? Well, best and top show up high on the lists. Everyone wants to know the best places to eat or the top-rated appliances, so those words show up a lot. “How to” is another search term that gets top results.

There are lists of keywords for any number of fields. If you have a book or article on health and fitness, your SEO keywords include “weight loss,” “lifetime fitness,” and “health tips.” Business keywords include “money” (of course), “opportunity,” “income,” and “profitability.” There are lists of keywords for coffee, dog training, and poker, among many, many others. For one of my areas of interest, mental health, keywords include “symptoms,” “medication,” and “side effects.” There are companies that specialize in giving you a list of keywords for your project—for a price.

What really ticks me off is what this has done to book subtitles. (Yes, I know that there are much more important things to be ticked off about, especially these days. However, I work in the publishing field, so I get to see a lot of subtitles. But I digress.)

Let’s start with one that isn’t all that annoying: How to Sustain Personal and Organizational Excellence Every Day. Eight words only. But look at the SEO keywords. We have Personal and Organizational Excellence. Sustain may be a keyword too, and so might Every Day. What could the author have done instead? Organizational Excellence ought to do it. Combined with a title like Habits for Success, that ought to do it. Still plenty of SEO words. Or just have a title: Success and Organizational Excellence. No subtitle. But that goes against every publishing rule, evidently.

Here’s another subtitle that’s been reined in just a bit: Reflections on Death, Rebirth, and Hunger for a Faith. Nine words. It says what you’ll find in the book without going on and on. Just enough to pique the potential readers’ interest. (While we’re on the subject of things that tick me off (and I think we were), I cringe whenever I see “peak” someone’s interest, or, God help me, “peek.” But I digress again.)

Now here’s a subtitle that goes a little further overboard: Dynamic Techniques for Turning Fear, Indecision, and Anger into Power, Action, and Love. Thirteen words. Dynamic Techniques, Power, Action, and Love are obvious self-help SEOs. I can imagine the title that would go with it: Transform Your Life.

Let’s keep going. Next on my list of terrible subtitles is Stop People Pleasing, Staying Silent, & Feeling Guilty… And Start Speaking Up, Saying No, Asking Boldly, And Unapologetically Being Yourself. Twenty words, one of them a mouthful by itself: unapologetically. Honestly, I think you could read the first chapter in the time it takes to read the subtitle.

Finally, here’s a subtitle that really grates: Transform Your Body in 28 Days with Illustrated Exercises. Lose Belly Fat, Sculpt Glutes, and Feel More Energized in Just 10 Minutes a Day! Twenty-four words, four verbs, and a plethora of nouns and adjectives. And a promise with an exclamation point. What is there left to say in the book? Whoever wrote that subtitle ought to have their thyroid checked.

On the other hand, maybe I’m just jealous. I wrote two books before SEO took off. (I still get royalties. I’m saving up for a pizza. But I digress some more.) Maybe I should have called them Bipolar Me: The True Story of One Woman’s Journey Through Mental Illness, Depression, and Hypomania, Based on Her Weekly Journal of the Same Name and Bipolar Us: A Deep Dive into Bipolar Disorder and Its Devastating Effects on Sufferers and Society, the Highs and Lows That Come With It, and How to Find Peace and Stability.

Of course, if I did that, the subtitles would have had to be printed in little tiny type, another aspect of publishing that really ticks me off. With my bad eyesight, I wouldn’t even be able to read my own subtitles. I can’t win.

I Can’t Commit

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Of course, that’s not completely true. There are things I can commit to—my husband, for example. We’ve been married for 41 years, which I think is proof aplenty.

What I can’t commit to are things that go on too long. (The marriage does not fit into that category.)

Let me explain.

Movies

In the evenings, when my husband and I have finished dinner, he often wants to watch a movie, but I don’t often agree to it. I hate leaving a movie in the middle, but I also hate staying up past my bedtime to finish one. It’s a delicate balance.

For example, after the recent eclipse, we decided on Ladyhawke, which was relevant, but I couldn’t make it all the way through. We had to watch the second half the next day and that upset my internal clock, not to mention my sense of continuity. If a movie starts at 8:00, it’s pretty much out of the running for me. I’m a little old lady and don’t like staying up past 9:00. (And you can get off my lawn. If I had one, I mean. Dan is aiming for a pollinator garden. But I digress.)

TV Series

When it comes to TV, I hate to start a series because I realize I’ll never keep up with it every week. This doesn’t apply to series that have already finished. Often, old episodes of House, Buffy the Vampire Slayer, Castle, Inkmaster, Chopped, or Bones are shown for several hours a day, and those I can tolerate multiple episodes of. (That may sound counterintuitive. The difference seems to be that I don’t have to pay attention to them. I usually have them on when I’m doing something else like writing. They’re just my emotional support background noise. But I digress again.)

Books

I used to be able to tolerate series of books. I devoured The Lord of the Rings, Asimov’s Foundation trilogy, Lloyd Alexander’s Prydain series, Sue Grafton’s Alphabet books, and other long-running written endeavors. Not anymore. I buy many of my e-books from discount sites for $1.99 or $2.99 (because I’m cheap). Many of them, as you might suppose, are not exactly scintillating. Some of them are so dreadful I give up on them well before I reach the denouement.

(One of the first ones I ever committed libris interruptus on was a horror novel that started by introducing the protagonists. They were perfect. Perfect looks. Perfect jobs. Perfect house. Perfect marriage. Perfect kids. By the end of the first chapter, I was rooting for the monster, which hadn’t even shown its tentacles, fangs, slime, or whatever. But I digress some more.)

I recently discovered that even book series I love can be too much of a commitment. I recently reread the three volumes of The Lord of the Rings, but couldn’t jump right into The Silmarillion. I love Lois McMaster Bujold’s Vorkosigan series and set out to reread them all, but pooped out after book ten. I needed a break (a la Friends) and haven’t come back to finish the other four. Yet. I have a feeling that after 600 pages of Midnight in Chernobyl, my current good read, I’ll be ready. (I hate the phrase “a good read.” It sounds too much like saying someone is a “good lay.” But I digress yet again.)

I haven’t even reread my own books (Bipolar Me and Bipolar Us). They don’t constitute much of a series and would make a terrible movie. But that’s not the reason. There’s a terrible typo in the first one, and I’m afraid I’ll find one in the second as well. If I weren’t depressed about the slim sales, that would do it.

The Rise of the Asterisk

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It’s well-known (by people who know me) that I love punctuation. I read books about punctuation. I have two punctuation tattoos. My favorite mark of punctuation is the semicolon (which is one of the tattoos I have). But lately, when it comes to punctuation, the asterisk is in the ascendancy. And that’s because an increasing number of books have swear words in their titles. Punctuation is how we address the problem delicately.

The first example of the trend and at the time most shocking was Go the F**k to Sleep, a book that purported to be a read-to-kids goodnight book, but was really an expression of parental frustration. It caused quite a buzz.

After that came The Subtle Art of Not Giving a F*ck (and the more daintily titled The Subtle Art of Not Caring About People’s Opinion), I Used to Be a Miserable F*ck, Unfu*k Yourself, The French Art of Not Giving a Sh*t, and F*ck Feelings. For those who prefer hashtags, there’s Unf#ck Your Brain. The winner for the longest title is The Life-Changing Magic of Not Giving a F*ck: How to Stop Spending Time You Don’t Have with People You Don’t Like Doing Things You Don’t Want to Do (A No F*cks Given Guide). And Everything is #@%!ed! uses a whole string of punctuation. Fucking This shit Show: A Gratitude Journal for Tired Women dispenses with the veil of punctuation altogether. (I can’t help that inconsistent capitalization. That’s the way it’s written. Maybe shit is supposed to look less threatening in lowercase? But I digress.)

(When marks of punctuation are used as stand-ins for letters or words, they’re called “grawlix,” an almost completely useless word, but one I’m quite fond of. Most people have seen grawlix only in comic books when Popeye, for example, wants to cuss. But I continue digressing.)

What’s the reason for all the daintily disguised sweary titles? It’s not like we don’t know what the asterisks stand for. It’s not fooling anyone. Go the F**k to Sleep was obviously meant to be shocking, though it also expressed humor and frustration. After that, it looks like a bandwagon was jumped on. The book even jumped on its own bandwagon. Now it’s a trilogy, including You Have to F**king Eat and F**k, Now There Are Two of You.

(I note that most of the sweary titles go with self-help books. Does this indicate a certain irreverence regarding the concept of self-help? Frustration with the concepts in the books? I know I’ve wanted to swear at self-help books during various periods of my life. Now I write them, though (so far) none have titles that require grawlix. But I digress some more.)

Personally, I have no objection to swearing. For a long time, I couldn’t do it, but after working as a waitress, I made up for lost time. Now I swear like a sailor, though with better enunciation. Sometimes, a curse word is just the right one. And of course, when I use a swear word in writing, I punctuate it properly. No grawlix here.

My favorite unexpected use of punctuation, however, comes in this brief verse:

Mary’s little lamb / Upon the grass did frisk. / But Mary was afraid / Her little * .

Now that’s creative punctuation!

What I’ve Learned About My Writing From Writing

blogs, books, education, etc., writing

I’ve been writing since I was in second grade. Back then, and through college, I wrote poetry, most of it pretty terrible. (Pretty depressing, actually. I was bipolar but undiagnosed. Thus begin my day’s digressions.) Gradually, my poetry turned into prose and I went where my muse took me. Maybe it was all those papers I had to write for college English that reinforced my love of prose. (I still write some poetry, but mostly to experiment with different forms like haiku, sonnets, and villanelles. I’m on my second digression already.)

But on to lessons learned.

• My ability to handle distractions has increased. It used to be that I had to write in complete silence, which helped me concentrate. But, as writing became more routine and natural, I experimented with music for writing. Instrumental music was okay with me, but anything with lyrics took me out of the zone. Now I prefer to write with the TV on in the background. I’m not really listening to it. It’s just ambient noise and I tune it out. (My mother used to put on baseball games, which she was not really interested in, just to have some noise in the house. But I digress again.)

• I can keep a schedule. The ghostwriting company I work for bases its deadlines on writers producing 1,500 words a day. I’ve fallen into a routine. I write 750 words for about two hours in the morning and another 750 for around two hours in the afternoon. If I don’t make my 1,500 because of an appointment or something, I write 1,000 words, morning and afternoon, until I’m caught up. (If only I had had this kind of discipline when I was writing my failed mystery novel! Of course, for ghostwriting, I work from an outline, which I didn’t have for my fiction. But I digress some more.) I have to work my two weekly blog posts in there somewhere, but I’ve given myself a deadline for them as well. I post them every Sunday at 10:00 a.m.

• I seem to be specializing in self-help books. I gave up on reading self-help decades ago, but now it’s about all I write. (I did ghostwrite one short piece of fiction, but it was pure smut. So I guess I learned that I can write smut as well as self-help. But I digress yet again.)

• Ghostwriting suits me. Yes, it’s playing in someone else’s sandbox. And no, I don’t get a byline or royalties. But it’s steady work and keeps me from stealing hubcaps. Also, it supplements my Social Security nicely—not bountifully, but nicely. I don’t know what I’d do all day if I didn’t write. Become even more sedentary than I already am, no doubt. Or steal hubcaps.

• I can pivot. I write humor. I write about social issues. I write about mental illness. I write about language. I write about writing (you may have noticed). I’ve written about flesh-eating diseases, pandemics, and baseball heroes. I’ve written prayer services and stories about nuns. I’ve written about poverty in Jamaica. I’ve written about playgrounds and childcare. I’ve written lesson plans for textbooks. (My nickname is 1,000-words-on-anything. I suppose I’ll have to change that to 1,500-words-on-anything. But I digress even more.)

• I can call on my husband to help me brainstorm topics. He also keeps an eye (and ear) for news stories he thinks might interest or inspire me. And he has plenty of quirks that are fun to write about.

• And I’ve learned that cats are no help at all when it comes to writing (especially one named Ow-Toby), except as subjects. Which I’m sure will come as no surprise to you, but I put it out there anyway.