Category Archives: music

Wrecks and Resurrection

Gordon Lightfoot died this week, which made me and many others sad. I remember listening to “Sundown” when I was in high school, which got me hooked on him. (The song had just come out. My friend Kathy was listening to Stevie Wonder and Elton John, so we heard a lot of them, too. And my friend Peggy and I were both listening to John Denver as well. Yes, I’m ancient. But I digress.)

One of Lightfoot’s best-known songs was “The Wreck of the Edmund Fitzgerald.” It was one of the longest popular songs ever played on AM radio. The rhythmic swells of sound mimicked the waves on Lake Superior, and the level tone of his voice perfectly conveyed the sorrowful atmosphere of the story.

I gained even more respect for Lightfoot when, in 2010, he changed some of the lyrics to the song to reflect new evidence about the wreck and the men who went down with the ship. That was classy.

But there’s another shipwreck song by another Canadian singer-songwriter that has probably had even more influence on my life – “The Mary Ellen Carter,” by Stan Rogers, who died in 1983. It’s a folk song that packs a powerful punch.

“The Mary Ellen Carter” is another story-song as well. It’s about a group of men determined to raise a sunken ship from her “sorry grave.” They know that the ship is still worth money if they can raise her, but really, it’s a labor of love. And the chorus says, “Rise again!”

It’s the final verses that really pack a punch, though. It talks about rising from all kinds of wrecks – “No matter what you’ve lost, be it a home, a love, a friend/Like the Mary Ellen Carter, rise again! Though your heart it be broken or life about to end/Like the Mary Ellen Carter, rise again!”

I’ve known the song to be deeply meaningful to any number of people – a woman going through an unexpected divorce, a cancer survivor, and more. When our house was destroyed by a tornado, it buoyed up my husband and me. (Sorry. Couldn’t help myself.) Whenever we’re having difficulties, we play the song. Sometimes we just play it when we need encouragement. And we always sing along at top volume. Sometimes we even put it on repeat and listen to it over and over.

The thing about the song is that, though the lyrics talk about all the rigors the sailors go through in trying to raise the ship, the song never says whether they actually accomplish it. In that way, it’s even more a song about hope than one about success. Hope, working together for a common goal, and persevering when everyone thinks you’re a fool for doing so.

I hope you listen to it. I hope it inspires you as much as it does me. Stan Rogers has lots of other songs, some of them humorous (“White Collar Holler”) and others heart-wrenching (“First Christmas Away From Home”) and still others slice-of-life ballads (“Lies,” which makes me and other of my friends cry every time we hear it), plus any number of folk songs.

Both “Edmund Fitzgerald” and “Mary Ellen Carter” are great. Both songwriters are phenomenal. One had a place on radio and the other at folk festivals. But I think they’re both worth a listen. Let me know if you agree.

Songs Around the Campfire

I loved being a Girl Scout. I especially loved camping and sitting around the campfire singing. What I didn’t love were some of the songs they made us sing. (I also didn’t love wearing my uniform to school because our meeting was right afterward. I got called a “little green cookie pusher.” But I digress.)

There were good campfire songs, of course. Among our favorites were “Free to Be You and Me,” which was popular at the time, and “Let There Be Peace on Earth.” There were rounds such as “Make New Friends But Keep the Old,” “One Bottle of Pop,” and, of course, “Row, Row, Row Your Boat,” which I never quite got the hang of. There were songs that couldn’t be sung today (“The Poor Old Slave Has Gone to Rest”). And there were songs that were just plain fun or funny – “Ragtime Cowboy Joe” (the Chipmunks’ version) and, as we got older, “Seven Old Ladies Stuck in the Lavatory.” There were also folkish staples like “Take Me Home, Country Roads,” “If I Had a Hammer,” “Puff the Magic Dragon,” “Where Have All the Flowers Gone?” “500 Miles” (not the Proclaimers version), “Today While the Blossoms Still Cling to the Vine,” and “The Ash Grove,” as well as classics like “Taps” and “This Land Is Your Land.”

There were also just plain idiotic ones like “On Top of Spaghetti,” “B-I-N-G-O,” and “Be Kind to Your Web-Footed Friends,” plus recursive song/chants like “There’s a Hole in the Bottom of the Sea,” and “There Was an Old Lady Who Swallowed a Fly,” and memory test/games like “One Hen, Two Ducks” (which I actually sort of liked and can still remember most of).

What I didn’t like so much were the ones they made us do motions to. The old staples “Little Bunny Foo Foo” and “Kum Ba Yah” were among these. They were okay, I guess, if a bit predictable. Then there was “Gray Squirrel,” much less okay. The lyrics go “Gray Squirrel, gray squirrel/Swish your bushy tail/Wrinkle up your little nose/Put a nut between your toes/Gray squirrel, gray squirrel/Swish your bushy tail.” Not what I would call Grammy-quality lyrics, but hey, we were Girl Scouts. The motions that went with it were squinching up our noses, pantomiming putting a nut by our feet, and – you guessed it – waggling our asses. This wouldn’t have been quite so bad if we were five, but it continued into our tween years, when it was just embarrassing.

Even more embarrassing were the motions that went with “Running Bear,” that corny song of doomed Native American love (another one that’s almost certainly offensive these days). We mimed the lyrics as we sang – diving in the water, happy hunting ground, and so on. “Running Bear” (the male protagonist), unfortunately, was mimed as a homonym. We made a motion of running and then one of throwing open our shirts to expose our (or, in the context of the song, his) chest. It was stupid in the extreme, not to mention creepy. The thing is, I still can’t listen to the song without thinking of the motions. (Not that I listen to it often anymore. Or much. Or at all. But I digress again.)

Did they make Boy Scouts do this dopey kind of thing, acting out songs in pantomime? I don’t know. It could have been just us girls. I didn’t experience mixed-group camping until I was in college, when they took freshmen out, hoping to lose some of us in the woods and reduce overcrowding in the dorms. I managed to survive. And there was no singing. Or pantomime.

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Vacations That Are and Aren’t

There are vacations that refresh, and then there are vacations that don’t. There are vacations where that create memories, and then there are vacations that don’t. There are vacations that are, and then there are vacations that aren’t.

My husband and I have had plenty of wonderful vacations, with scads of natural wonder, historic locations, local events, and places to explore. We’ve been to England, Monserrat, Croatia, and most recently Ireland, to name a few. (We also had a great time in Benson, AZ. Why Benson? “Benson, AZ” is the theme song to a sci-fi movie called Dark Star, which only a few people ever saw. What’s there to do there? Exploring caves, star-gazing, and visiting rock shops, among other things. But I digress.) We often returned exhausted rather than refreshed, but we’ve made memories that will last (I hope) until we’re older and grayer.

However, a gentleman of my acquaintance, who prefers not to be named, is on one of the vacations that aren’t.

He’s going to spend eleven days with, let’s say, his beloved ancient aunt and his cousin who live in, let’s say, Colorado. He has done this before, so he knows what he’s getting into.

What he’s getting into is work. Not his normal, paying work, though. His aunt has a long list of chores for him. And when I say chores, I don’t mean washing the car, which his aunt still does herself. I mean re-graveling the driveway. Clearing out a huge attic. Painting the porch. Installing a generator. Fixing the washing machine.

Or all of the above.

It’s like a “stay-cation,” only with airlines involved. And without the sitting on the porch with a drink with fruit and an umbrella in his hand and his feet in a kiddie pool with The Wild Jimbos singing “Let’s Talk Dirty in Hawaiian” playing on an iPod with an auxiliary speaker. He does it because he really, truly loves his aunt. She’s in her 90s and needs the help.

(What he doesn’t really, truly love is her taste in music. And TV shows. And movies. And news. All of which she plays at high volume because she is hard of hearing. Fortunately, he just acquired a tablet that has been loaded with streaming services, radio stations, books, and other media that he can browse to his heart’s content. With earbuds, of course. But I digress. Again.)

At least his cousin is going to do the cooking. Except that the cousin cooks for a week at a time, and they have it every day until it’s all gone. The gentleman of my acquaintance cooks too, but not usually after a day of working in the hot sun. Then, his major concern is rehydration, which will likely include iced tea rather than drinks with fruit and an umbrella.

What I’m having is the stay-cation. Without the kiddie pool and The Wild Jimbos, though. My husband is also going to be out of town. I have writing assignments at the moment, so I’m pretty sure I can fill up my days with that and a bevy of dancing boys. Well, and binge-watching cooking shows on The Food Network. It won’t be thrilling and memorable (unless the dancing boys turn out to be real rather than imaginary), but it should be relaxing, with no annoying sweat (except for possibly in case of dancing boys, see above).

The peace and quiet will be welcome. I don’t always like my husband’s taste in movies, TV shows, and music either, and he plays them very loudly. (Hearing loss may run in the family.) It’s much easier to write and type without auditory distractions other than the cats meowing for food.

I think, however, that both I and the gentleman of my acquaintance will need a few days to recover from our assorted vacations before we get back to real work. Not that we’re likely to get much of a chance. Ah, well. There’s always the next real vacation for my husband and me to look forward to. Maybe we’ll even go back to Benson.

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Things I Know Too Much About

If you thought I was going to say, “my neighbors’ sex life,” prepare to be disappointed. No, what I’m talking about is those Facebook memes that say, “What could you give a TED talk on right now?” or “What could you talk on for 20 minutes without preparation?”

I have at times compared my brain to a steel sieve. At other times, I’ve said it’s like a steel trap, one that’s unhinged and rusty. But actually, what I think my brain most resembles is a dusty old closet with a sticky door. I don’t know how I’ll get it open and I don’t know exactly what’s in there, but I’m fairly certain there are some things in there that I don’t even remember I knew.

I have friends who have epic knowledge about various and assorted topics, from video games (and their creators) to evolution to dairy farming to the Irish language. If I were ever on Who Wants To Be a Millionaire?, I would have plenty of “phone-a-friends” to use as lifelines (if I could remember their phone numbers, which I can’t).

I have all sorts of useless trivia stuffed in the corners of my brain: Armadillos are the only animals besides humans that can get leprosy. Henry Heimlich (he of the eponymous Maneuver) was a drum major at my alma mater and was married to Jane Murray, daughter of Arthur Murray, of dance lesson fame. Pear Ripple wine actually tastes pretty good. John Milton invented the word “pandemonium.” A “cenotaph” is a gravestone with no body buried under it. Some of these facts would not even be useful on Jeopardy, or even at a bar trivia night.

But when it comes to things I actually could give a 20-minute talk on, I have a choice of subjects.

First, there’s bipolar disorder. I’ve got a lot of experience with that. I have bipolar disorder myself and have been diagnosed with it for decades now. I’ve seen countless therapists and a few psychiatrists and have been on medications for decades. I’ve written two books on the subject, based on my other blog, Bipolar Me (bipolarme.blog), which I’ve been writing weekly for almost nine years – 468 posts. In those posts, I’ve covered topics including depression and anxiety, self-harm and suicidal ideation, lobotomy and shock therapy, plus a lot of everyday symptoms and treatments for the disorder.

I’ve written about why you can’t say assorted famous people have (or had) bipolar or various other disorders. I’ve engaged in the debate over what causes bipolar disorder and whether psychiatric drugs are helpful. I’ve even written about why people with bipolar disorder sometimes aren’t able to take showers (one of my most popular posts, for some reason).

Another topic I can expound on extensively (and have, much to my husband’s chagrin) is country singers and songwriters. I can tell you why Willie Nelson’s Shotgun Willie album was so important; how The Sound in Your Mind prefigures Stardust; how “On the Road Again” was written; what movies he’s been in (and why one of them was called Honeysuckle Rose); how Django Reinhardt influenced his guitar style (and who Django Reinhardt was); and what other singers have recorded his songs (Patsy Cline’s “Crazy,” for example, was one of his).

I can talk endlessly about Kris Kristofferson’s early encounters with Johnny Cash, his marriage to Rita Coolidge (and how it broke up) and his hot fling with Janis Joplin; his political activism; his military career; how he came to write “Why Me, Lord?”; and what the original lyrics to “Sunday Morning Coming Down” included. I can expound on his education and his fondness for the poetry of William Blake. I can even tell you the specific time he stopped drinking.

I know which country songs were written by Shel Silverstein (yes, that Shel Silverstein). I can talk about the Outlaw Country movement and underappreciated women songwriters like Gail Davies, Matraca Berg, and Gretchen Peters. I can even talk about alliteration and internal rhyme in the lyrics of Kinky Friedman and how his songs were reflected in the mystery novels he wrote. (Yes, I have two degrees in English and have never gotten over it entirely. But I digress. In fact, this whole post has been something of a digression.)

And that’s why I never get invited to parties.

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Shopaholics Unite!

We talk about shopaholics the way we talk about alcoholics – as though it were some sort of addiction, presumably one that can be treated through a 12-step group (though I’ve never actually heard of Shop Anon). Alas, that’s not the case. Those of us who have spending problems largely have to go it alone. Our friends are more likely to enable us than to talk us out of it.

In the past, I’ve had spending sprees that focused on music. I still buy CDs occasionally, despite the fact that most music is now in the form of downloadable mp3’s. I tried to fight my urges by, first, buying CDs secondhand and second, dividing them into columns, or rather, stacks.

There was a previously-owned music shop (the music was previously owned, not the shop) in town called Second Time Around. Way back when, they sold vinyl record albums. My high school friends and I haunted the place and picked up music by our favorite artists. (At the time, we never considered that we were depriving those artists of royalties. Later in life, I was once inspired to send a quarter to an author I knew because I had picked up one of his books in a used bookstore. But I digress.)

I wandered through Second Time Around, picking up everything that caught my eye (or ear) and piling it up in my little basket. Then I would retreat to a window ledge and sort the CDs into different piles: Must Have, Would Be Nice, and Don’t Really Need. I would buy the Must-Have discs and a couple of the Would-Be-Nice ones, but abandon the Don’t-Really-Needs. Using this strategy, I arrived at a total that, while not totally within my budget, missed it by only a little.

This strategy has served me well over the years. Now the baskets are virtual, but I still fill them up with whatever attracts me and delete as needed (or not needed).

Over the past months, though, my overspending has kicked into overdrive and my doorstep has filled up with Amazon and UPS packages. Nowadays, I over-buy items we may need for our trip abroad (planned for the spring), such as power converters, sweaters, scarves, umbrellas, and guidebooks.

The other item I’ve been jonesing for is pajamas. I work at home, at my computer, so pajamas are my daily uniform. I have shelves of pajamas in my office closet and a few more upstairs in my dresser. I have nightdresses, nightshirts, flannel pajama sets, fleece pajama sets, shorty pajama sets for the summer, and a number of pairs of pajama bottoms that I can pair with the nightshirts for in-between weather.

Pajamas are one purchase that works well with the “stack in the basket and weed” strategy. My husband has been helping me curb my spending. He asks helpful things like “Is there enough money in the bank account?” and “Do you need more pajamas?” I explain to him that the pajamas, particularly out-of-season ones, are on sale at really good prices.

One thing that does keep me from buying pajamas with such wild abandon is the shipping prices. If the shipping costs more than the pajamas, I wildly abandon them – though with regret. I suppose I could rack up the total to where I’d get free shipping, but that feels like cheating on my attempted shopping abstinence.

Travel items and pajamas, I tell myself, are not really so bad. I used to have a thing for jewelry. Now that I work at home, I never go to places where I need to wear necklaces or earrings. So, really, I can skip the jewelry and just buy pajamas. Or else found my own Shop Anon group – perhaps with my husband, who has a comparable problem with seed catalogs.

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Weird Travels: Jamaica

I’ve traveled to a lot of places in my life, some usual and some at least a little weird. For example, while in London I went to 221B Baker Street to take a tour of the Sherlock Holmes museum. (The top floor had an ornate porcelain toilet that looked like Wedgewood.) And I took Donald Rumbelow’s Jack the Ripper evening walk.

But that’s far from the weirdest, which was probably Jamaica. Actually, it was supposed to be Haiti. My boss was sending me there to report on the work of a charitable organization called “Food for the Poor” that, well, gave food to the poor in the Caribbean.

There was political unrest in Haiti at the time (as there frequently is). Someone (or ones) were shooting presidential candidates. I wasn’t too worried, as I can by no means be mistaken for a presidential candidate. Then they started shooting journalists. Yikes! It was time for me to bail.

Bailing became unnecessary when the destination was changed to Jamaica. This was not to be a tour of the beaches and villas, however. No, this was the poverty tour. (There’s plenty of hungry poor in Jamaica as much as in Haiti.)

When I (and the other journalists) arrived, we were treated to a swank dinner at the hotel we would all be staying at, and told when our wake-up call would be. (Too damn early. It was too damn early every morning.)

We toured a school. It was a little unnerving, but dozens of second-graders swarmed out to greet us with cheerful greetings and insistent hugs around our legs and waists. We went to a church mission, where we learned statistics on poverty in Jamaica. We went to projects where Jamaicans were making handicrafts to sell. I bought a handwoven set of placemats, though they didn’t match my kitchen’s color scheme.

In the evenings, we retired to our hotel, too tired to do anything but sit at the bar by the pool and have a Red Stripe beer. In fact, sometimes I got so tired from the day’s work that I couldn’t even write. I’d try to write an “f” and it would come out “t.” I got leg cramps from all the walking we did.

Still, there was no opportunity to feel sorry for myself. We went to a huge garbage dump, where many people lived. There were only a couple of pipes where you could get water amid the acres of trash. People lived on the things that were thrown away from swank dinners like we had been served – leftovers, cloth napkins, a fork. A knife was a particularly prized find. There was a small stand amid the garbage where local inhabitants sold a few scavenged goods to their fellows. I asked for a soft drink, which they did have a bottle of. The proprietors huddled for a minute, wondering what price they should put on it. They eventually settled on $2 American, which I paid gladly but sadly.

Another day, we went to a project where people went to develop marketable skills, such as sewing. There was a singing and dancing group. Then they served us lunch, which was, of course, impossible to refuse. It was a stew of curried goat. I can report that the taste and texture were like a heavily curried pot roast. Actually, not bad.

The most unusual place that we visited, however, was a leper colony. Yes, with actual lepers. We were reassured that they did not have active infections, though it was apparent that many of them had lost limbs to the affliction (now called Hansen’s Disease). There was singing of hymns, accompanied by a guitar played by a man with three fingers. I lingered a moment and asked if they could play a local tune. Suddenly, the people’s voices lifted in a rollicking song with more decibels and life than the hymns had. I asked if there was anything they wanted, what would it be. The workers wanted a new washing machine. The guitarist wanted new strings.

On our last night there, we journalists all drank our Red Stripes and discussed what we would take away from the experience, which was largely more awareness on how the desperately poor lived. A couple of the journalists stayed on for a few days to explore the beaches.

When I got home, I wrote my article, which was a major flop. Despite the fact that it appeared in a religious magazine, it solicited few funds for the charity, which had been the point of the tour in the first place. But I still have hope that the article opened a few eyes, as it had opened mine.

Living Like a College Student

A few weeks ago I wrote about how we were moving, and in finding a new place to live, I thought we might have to live with college students (“Stuck in Our 60s” https://wp.me/p4e9wS-13M). Now we have moved, and I find that instead, we are living like college students.

Back when I first went to college and moved into a dorm, there were certain things that were de rigueur. Cramming a life’s worth of belongings into half a room, whether dorm or apartment. Using stacked milk crates as either a bedside table or a dresser. Building a bookcase out of bricks and boards. Trying to share one small closet with another person’s entire wardrobe. Record albums stashed in the ubiquitous milk crates or banker’s boxes.

Well, we found our new temporary place to live, and it’s quite a bit like that. We moved from a three-bedroom house to a one-bedroom apartment. That’s a lot of stuff to move, much less fit into one-third the space.

Fortunately (or unfortunately) the only pieces of furniture that came with us were the bed and a TV set. The living room is too small for a sofa anyway, so we bought two collapsible camping/stadium chairs and a wooden stool to use at the breakfast bar. It’s hard to snuggle up on stadium chairs, but at least the bed is queen-sized.

Most of our belongings made the journey (about two miles down the road) in totes, those wonderful plastic containers, about the size of two milk crates. They make up most of the rest of our furniture – TV stand, bedside tables, coffee table. Even my desk is a riff on brick-and-board, consisting as it does of two stacks of two totes each, with three sturdy boards across as a desktop. We did manage to bring along a desk chair, which, surprisingly is at just about the right height. My “study,” however, is located in the utility room, where a washer and dryer ought to go, but don’t. I share it with the water heater and the cat box. My husband’s “study” is half the breakfast bar.

The rest of our belongings, including all our furniture and nine-tenths of our possessions, currently reside in a crammed-full storage unit. In two and a half to three months, they will be released from their confinement (and so will we). It is devoutly to be hoped that a proper moving truck and some husky young workers will accomplish the transfer of all that accumulated stuff to our rebuilt, three-bedroom house. This recent mini-move was a do-it-yourself affair, involving the rental of two U-Haul trucks and the capacity of our Ford Escape. And many, many trips.

Our new apartment complex is quiet, not packed with college students, very near the entrance to the highway (so Dan can get to work quickly), and has a laundry facility that will make up for the lack of one in my study. I work in my jammies, anyway, so I don’t have to be washing and drying work outfits or much else besides t-shirts (my other fashion choice). As a matter of fact, all the clothes I expect to need for the next three months were packed in one suitcase. And Dan wears a uniform to work, so he doesn’t need much in the way of clothing either. And while he may not have his own study, he does have a small patio, where he can commune with his assorted plants and bird feeder.

As for the books and record albums, electronics have become our friends. My computer has iTunes, we both have iPods, and there are any number of devices around that act as e-readers, from my cellphone to a tablet to an actual e-reader. This obviates the need for thousands of linear feet and who-knows-how-many pounds of reading and audio material. Our collection of DVDs is much reduced as well, easily able to fit inside one of the many totes.

Do we love our new apartment? No. Does it meet our needs? Not really. Can we tolerate it for three months? We can tolerate nearly anything for three months if, waiting at the end of it, there is a newly rebuilt, two-story, three-bedroom (well, one bedroom and two studies) home with all new furnishings.

I won’t say it’s going to be easy, but if there’s one thing my husband and I have learned to do during our life together, it’s to drop back five and punt. We’ve been punting a lot over the last year, but this time the goalpost is at least in sight.

 

Memories of Things I Didn’t Know Existed

My husband has a terrific memory. Not for where he left his car keys or wallet, of course. But for obscure TV shows, theme songs, and jingles, he’s the best.

Today, for example, he wanted me to look up online “Lincoln Vail of the Everglades.” I did, while he started singing the theme song. It turns out that it was an actual TV show that lasted for one entire season, recounting the adventures of a law enforcement officer who sped around the Everglades on an airboat. Dan also referenced “Sky King,” a similar show about using an airplane to fight crime.

Dan can sing the theme songs to “The Littlest Hobo,” a show about a wandering dog, “Car 54, Where Are You?” and “Davy Crockett” (which actually has more lyrics than just “King of the Wild Frontier”). For cartoon shows, he’s a good reference, too, blithely singing the theme songs to “Chip and Dale” and “Tobor, the Eighth Man,” which was a cartoon about a robot (get it? robot spelled backward).  He can sing “George of the Jungle,” of course (can’t everyone?). But he can also sing the entire theme to “Super Chicken” and part of “Magilla Gorilla.” And he can hum the tunes to the “Crusader Rabbit” and “Clutch Cargo” themes, which have no words.  He also still remembers the cartoons “Tennessee Tuxedo” (and his sidekick Chumley), “Mr. Magoo,” “Top Cat,” and “Beany and Cecil,” one of my personal faves.

But it’s in television commercials where he really shines. He even remembers the Ajax Pixies, who sang the first-ever commercial jingle on television, back in the 50s. He knows all the lyrics to the Good ‘N’ Plenty candy jingle (“Choo Choo Charlie was an engineer…”). He can sing the Texaco tagline (You can trust your car to the man who wears the star!/The big, bright Texaco star!) And he really captured my heart when he sang me the jingle for Kisling Sauerkraut, which he knew from growing up near Philadelphia. (It had a wonderful line in it about the product being sold in transparent plastic bags. That always gets me.  But I digress.)

References to old shows, cartoons, and jingles have made their way into our everyday lives as well. Sometimes when we leave the house, Dan will say, “Here we go, rocketing into fun-filled adventure with Adam Ant and Secret Squirrel!” (Half the time he says “a damn ant,” but never mind that now.)

Admittedly, these are not terribly useful skills, but they use as many brain cells as I do remembering Emily Dickinson’s, William Carlos Williams’s, and e.e. cummings’s poetry, I suppose. And, come to think of it, his knowledge is more likely to come up in bar trivia games than mine is.

Now, if only he could remember how to figure out what the date of Thanksgiving is, or the code to our storage locker, or the lyrics to “Bad Moon Rising” (he still thinks it goes “There’s a bathroom on the right”), then he’d be truly formidable. Until then, I’ll just have to be the repository of useful knowledge such as whether you have to travel north or south on the highway to get to the airport and what his cell phone number is and how to spell and pronounce “foliage.”

It’s a small price to pay for all those quality Saturday morning reminiscences.

 

 

State of the Arts

It bothers me that the two trends in art that are gaining the most ground nowadays are prettiness and functionality.

Prettiness and functionality have their place in art, of course. Who doesn’t love a Monet landscape? And Soviet Realism, while hardly pretty, performed its function of representing the worker as hero and inspiring comrades to greater effort.

But prettiness is not beauty. If you look beyond the prettiness of a Monet, you see the sheer talent that it took to break the boundaries of then-current art standards and paint in a way that revealed a different way of looking at the world. And that was beauty.

No one would call Picasso’s Guernica either pretty or beautiful. Its clashing shapes and tortured figures do not inspire “awwws.” They aren’t meant to. The painting is a condemnation of the horrors of war, and it performs that function exceedingly well.

Now, I don’t have anything against art that is pretty or functional. I just think that there is a lot more to art than just those qualities.

But art today – or at least what passes for art – is solely about prettiness and functionality. The National Endowment for the Arts, an independent federal agency, was established to “fund, promote, and strengthen the creative capacity of our communities by providing all Americans with diverse opportunities for arts participation.” Now the organization’s existence is in great doubt. The federal budget eliminates it completely (though it hasn’t passed yet).

Why the neglect of the NEA? It isn’t pretty enough. It isn’t functional enough. It supports and promotes a variety of types of art, some of which are challenging, unappreciated, and even shocking. At least that’s what the budgeteers focus on. The NEA, however, also provides grants for projects like arts education in communities and schools, including “the growth of arts activity in areas of the nation that were previously underserved or not served at all, especially in rural and inner-city communities.”

Why, the NEA even collaborates in a program with “more than 2,000 museums in all 50 states that offers free admission to active-duty military personnel and their families during the summer.” But you (and apparently Congress) never hear about things like that.

Arts education in the schools is languishing too. Along with music, it’s been relegated to the heap of the “unnecessary” or watered down to become “art (or music) appreciation,” with little or no thought given to allowing children to create their own art as well as studying “the masters.” It’s like art is now an extracurricular, though not as well-funded a one as sports.

STEM is the current bastion of functionality in school curricula. And admittedly, the U.S. needs more citizens educated in technical fields such as medicine, aeronautics, robotics, engineering, architecture, and so on. Art occasionally sneaks in there, so the programs reluctantly become STEAM, but the focus is still on turning out people who perform what most people consider vital functions in our society – those associated with products, and industry, and money.

But art, even when it’s disturbing, does have a function. It can make us think, love, cry, wonder, or remember. Imagine a world without art. No music, no dancing, no paintings, no sculptures – not even any graphic design. (That would mean no political campaign posters.) Life would be very different and much duller. Even if you don’t believe it, the arts touch you in some way every day of your life.

The arts are far from being a waste of time and money, as some seem to think. Winston Churchill had it right: “The arts are essen­tial to any com­plete national life. The State owes it to itself to sus­tain and encour­age them….Ill fares the race which fails to salute the arts with the rev­er­ence and delight which are their due.”

 

Where the Weirdos Go

Where do the weirdos go to have fun? “Nowhere,” you may think. “They stay in their parents’ basements, turn pale from lack of sunlight, and debate the ending of the most recent Avengers movie.”

Well, you’re in for a surprise. There’s a place where geeks go to socialize, share, and occasionally even get laid. It’s the science fiction convention (aka “con”). Although there will be people dressed as Klingons and furries (look it up), many of the trappings of an SF con resemble those of any other kind of convention. Panel discussions, book signings, an art exhibit, a dealer’s room, a hospitality suite, parties, music, perhaps a dance. There also may be children’s programming, science guests, and, in the case of the con I plan to go to in May, animals from the Columbus Zoo.

Because I look to the outside observer like a fairly typical middle-aged lady, I get asked a lot by other hotel guests, “Who exactly are these people?”

“They’re mostly harmless,” I reply. (Thereby quoting from one of the classic SF novels, The Hitchhiker’s Guide to the Galaxy.) And that’s the truth. Even though they may wear authentic Scottish dirks, Viking swords, and lightsabers, they are indeed harmless. They are simply people who lead, as one song says, “Rich Fantasy Lives.” They are the geeks. Nerds. Outsiders. Every variety of misfit.

Including me and my husband. I’ve been going to cons ever since I was a stringer for Cincinnati magazine and was sent to cover one by my editor. There I wrote a 400-word piece and met people who would become my lifelong friends. (The editor had chosen me for the assignment because she remembered that I was a reader of science fiction when she knew me in high school. But I digress.)

The people who attend cons are not all Trekkies or get-a-lifes or people who think they’re from another planet. There are writers (like me) and scientists, but also musicians and career consultants and academics and lawyers and advertising people and zookeepers and all varieties of creative types from folklorists to woodworkers.

Why do they gather in these numbers (up to the thousands), in these hotels, in these tribes? Fellowship. Camaraderie. Stimulation. Understanding. Friendship. Shared interests. Fascinating discussions. Movies and novels and video games. Even love.

I’ll admit that I haven’t been to a con in years. I know that, unlike at a business convention, almost anything I do will be all right. I can hang with friends or sit in the lobby reading. I can join a large, raucous group for dinner or order a pizza in my room. I can attend parties where I know no one or concerts where I know everyone. I can be opinionated and argue or be quiet and learn. Generally, only overt violence and sexual harassment are disallowed.

And I can wear my NASA t-shirt, my Fahrenheit 451 t-shirt, or my Death Star/Ceci n’est pas une lune t-shirt (okay, I’m a language geek too). No biz casual for me. No booth duty while the salespeople power-lunch. The only booths will be in the art exhibit and the room selling shirts, books, CDs, and costuming supplies. (Cosplay is a big thing at this particular convention. Look it up.)

It’s true that after all the business conventions, I get a bit of anxiety around so many people. But the other attendees may too, and they will understand. After all, we are mostly misfits, from the over-intelligent to the socially awkward to the nearly completely unsocialized. But I’ll have a hotel room full of close friends (sharing rooms is a tradition) and a hotel full of potential friends.

So, as the song says, “Don’t be unkind to a wandering mind/Just say it again if we missed it./Some whispering poem/Was calling us home/To a place we know never existed.” Or exists for a weekend at the Crowne Plaza Hotel, anyway.