Cozy mysteries are a thing, and I do not like them. As all my friends know, I am a mystery lover – I’ve even written one, which is now making the rounds of agents.
But cozy mysteries have gone too far. These are the kinds of mysteries that take place in bed and breakfasts or bookstores, that have chefs or weather forecasters as their sleuths, and exhibit little to no blood, despite the crimes. They are called cozies, I suppose because you can cuddle up with a cup of tea and read them, safe in the knowledge that nothing really bad will happen.
And the titles! Most of them are puns – usually lame – based on whatever setting they have. I just can’t bring myself to read something called Chilled to the Cone (bakeshop), Premeditated Mortar (fixer-upper), Absence of Alice (garage sales), or The Malt in Our Stars (literary pub). The “detectives” are never real police officers, obviously. And most often the (supposed) humor and (artificial) quaintness fall flat.
I must admit to reading several cozy series many years ago. These were usually ones that had a setting I was interested in or characters that were well-rounded and well-drawn, or contained cats (sometimes as the sleuth). Susan Wittig Albert did a series based on an herbalist. Diane Mott Davidson did a cooking series, complete with recipes that I never tried. There was a series, the Amanda Pepper mysteries, that was set in a Philadelphia prep school, and the Kate Fansler series, set in the English Department of a college.
One that I used to read devotedly, but finally gave up on in disgust, was Lillian Jackson Braun’s The Cat Who mysteries starring retired newspaperman Jim Qwilleran and his two cats, Koko and Yum Yum. (I also like Mikado references.) The first three came out in the 60s, but there was an extensive hiatus until 1987, when the series reappeared and continued yearly until 2008, with The Cat Who Had 60 Whiskers. I gave up in 1991, with The Cat Who Moved a Mountain, a dreary, supposedly amusing book set in the Potato Mountains, concerning a conflict between two clans known as the Spuds and the Taters. It was just too cozy for words.
Some writers are able to switch gears and write both cozies and grittier novels. Linda Barnes, for example, started with the Michael Spraggue mysteries set backstage at a theater but switched to the much more robust Carlotta Carlisle series when, as she said, Spraggue ran out of friends and relatives to be killed off. Carlisle, a former police officer, drives a cab in her off-hours but encounters plenty of hardened criminals and deaths. These I read whenever Barnes writes a new one.
The other cozy mysteries I read are the Mrs. Pollifax series by Dorothy Gilman. They are typical in that when you read them you know that nothing terrible will happen to any of the main or even subordinate characters (who are colorful, if unbelievable). The thing that attracts me about the Mrs. Pollifax books, other than the goofy premise that she is a grandmother who works for the CIA, is the extensive travelogues of wherever her handler sends her: Mexico, Albania, Turkey, China, Zambia, Hong Kong, etc. I find her novels soothing rather than irritating, the sort of thing I read when I’m stuck in bed with a really nasty flu.
Cozy mysteries no doubt have their place in the pantheon of mystery novels. They’re certainly popular, at least. But for the most part, I’ll take Sue Grafton’s Kinsey Milhone or Sara Paretsky’s V. I. Warshawski over Reel Murder any day. I want believable plots; well-drawn, interesting characters; crimes that make you care what happens; and real danger. Give me early Robert Parker (before he started phoning them in) or John Sandford or Laura Lippman or even the original Nero Wolfe series, for when I want vintage mystery fiction.
Of course, I read other kinds of fiction (Gregory Maguire and Handmaid’s Tale come to mind), but mystery novels hold a special place in my to-be-read list. Let’s not mess up the genre with The Good, the Bad, and the Lemon Tart.
Christmas sweaters, both ugly and pretty, have come and gone for this year. But for me, sweaters are inevitably evocative of New Year’s. Let me explain.
While I admit it would be terrific if my mystery novel finds an agent, and then a publisher, and then becomes a wildly popular best-seller, and then gets made into a big Hollywood movie, that’s not what I’m here to write about today.
This is a picture of the pledge paddle that my sorority “Big Sister” decorated for me. (For you kinksters, these were symbolic only and never used for hazing. And for you bros, we never had pillow fights in our shortie pajamas. But I digress.) The paddles were decorated to reflect the interests of the “Little Sisters” and mine was painted with a Lord of the Rings theme, which was somewhat trendy as a book trilogy before it ever became mega-trendy as a movie trilogy. (That’s Gandalf and two hobbits at the bottom and the Doors of Moria in the middle. Luby was my Big Sister’s nickname.)
My cat has a magnet in her nose. My husband does not.
Unfortunately, as the saying goes, “Gravity is not just a good idea; it’s the law.” That may be true, but I am seriously considering a career as a lawbreaker, an avocation as a scofflaw. I might even argue the point as a lawyer.
I read all those posts about what women over a certain age shouldn’t do – wear message t-shirts or leopard prints, for example – and promptly ignore them. I have a great collection of t-shirts (including a Deadpool one) and leopard-print flats and a leopard-print bathing suit. If I stay away from a style of clothing, it’s because I don’t like it (the “cold shoulder” look comes to mind).