Tag Archives: The Hobbit

We Were Girl Scouts Once … and Young

Yes, I know. The main thing that most people associate with Girl Scouts is cookies. And those are certainly one important part of the Girl Scout experience. But they’re far from the only thing, or even the most important.

Officially, cookie sales promote goal setting, decision making, money management, people skills, and business ethics. All the money raised stays with local councils and troops. Nowadays, Girl Scouts no longer sell door-to-door as we did back in the day. Instead, Scouts do phone and online selling, or set up tables in front of stores and in parking lots, often waving signs to attract buyers.

I was a Girl Scout from Brownies through Seniors. And yes, I sold cookies. (Many scouts had their fathers and mothers take the sign-up sheets into work, where coworkers often ordered their goodies. My father wouldn’t do it because, he said, he worked for a government institution and it wouldn’t be proper. But I digress.)

Although the activities that cookie sales funded were many and varied, my favorite – even more than earning merit badges – was camping. I wrote about camping a few years ago. As I described it:

There we were, bedding down on sleeping bags in our tents, the cold, hard ground only a layer of canvas or plastic away. When we sprang out the next morning, our lithe teen forms dressed in green shorts and Vibram-soled boots, we hoisted our backpacks and hiked over hill and dale and rocky trails, singing optimistic songs and breathing deep of the fresh air. We ate granola as we walked.

Later that day, we built a fire and sat upon logs, tree stumps, or little water repellent squares while our dinner cooked slowly, smoke curled around our heads, and mosquitos had their meal before we had ours. Then it was more songs, jokes, stories, and talk till it was time to pour water on the fire, make sure the ashes were cool, and return to our sleeping bags, where, after hours more chat (not the electronic kind, either) we dozed off.

That was, indeed, one style of camping we did. We also went to official Girl Scout camping facilities instead of state parks. I have vivid memories of those adventures, some terrific and others less so.

There was one decidedly memorable state park trip. We set up our tents, which we shared, four scouts per. After dark, we settled in our tents to tell stories and jokes. The girls in my tent read aloud from the book The Hobbit, to the glow of flashlights, lanterns, and the occasional candle (one thing we had learned was how not to set one’s tent on fire and what to do if we did).

A sudden storm came up and turned violent, with rivers of rainwater flowing through our camp, and indeed through our tents, our candle threatening to sail away. As we read the book, we were at a passage describing a storm rife with heavy wind and rain. Every time the storm in the book became more severe, so did the storm in our camp. It was eerie. Eventually, we decided we should stop reading before we were completely washed away. The next morning we had to cope with damp sleeping bags and muddy ground. But that’s what we did. We were scouts.

Other memories were less dramatic and less pleasurable. There was the time we ate “brontoburgers,” hamburger patties wrapped in bacon and then in foil and cooked in the embers of a dying campfire. The next morning we learned a valuable lesson about the inadvisability of eating meat that was less than thoroughly cooked.

Official Girl Scout camps had large tents on raised wooden bases, so we didn’t have to worry about rainwater. We had camping names like Rover and Binky and ones based on the Lord of the Rings (Strider) or MASH (Trapper, Hawkeye), which were popular at the time. We learned songs (some of them from Free to Be (does anyone else remember that?), as well as traditional songs that must have been around since the invention of scouting (“Make new friends, but keep the old./One is silver and the other’s gold.”) The best times were when we became camp counselors, in charge of younger scouts for a month at a time.

Those were the days, never to return. But now some of my sister scouts are grandmothers and I buy my cookies from their offspring.

Books, Etc. – Books as Mashed Potatoes

Books are like mashed potatoes.(1)

Some books are like mashed potatoes.(2)

Mashed potatoes are warm and creamy, oozing with butter or redolent with garlic, or chunky with fiber-filled shreds of skin, if that’s your thing. They’re yummy and atavistic, a taste that tugs at the link between memory and taste and smell and emotions.

For me, a used bookstore taps into the sensory-emotional link – the scent of dust and aged paper, the warmth of an old heater, the motion of a rocking chair, the calming voice of the owner of a store I went to in my childhood and teens.

Books themselves and the act of reading are less sensory and more intellectual. But just as mashed potatoes are comfort food(3), some books are comfort books.

When I’ve been on a serious reading jag(4), engaging with books that leave me pondering or wrung out, or even sobbing(5), when I’ve overdosed on nonfiction that punches me in the gut or heart(6) I need reading material that’s familiar and soul-satisying without being overwhelming.

I need a comfort book.

I’ve had comfort books since I learned to read – books I’ve returned to again and again, that I never feel I’ve had too much of.(7) My first were Dr. Seuss’s immortal Green Eggs and Ham in my childhood and Bel Kaufman’s Up the Down Staircase, in my early teens.

Later, my go-to comfort books were the Mrs. Pollifax series by Dorothy Gilman – fairly lowbrow adventure/cozy mysteries starring a little old lady working undercover for the CIA. Each book took place in a different country and served up a travelogue more intriguing than the plot and as appealing as the quirky characters and the practicality of the heroine.(8) Also, I know that nothing really bad is going to happen to any of the main characters – none of this “relative dies at the hands of a serial killer” or “best friend is kidnapped and tortured” or “haunting memories of the main character’s dreadful past,” the stuff of much modern crime or spy fiction.

Nowadays my comfort books are largely those by Lois McMaster Bujold. She writes intelligent, witty, engrossing science fiction and fantasy novels, the best-known being the Miles Vorkosigan series. The Vorkosigan books take on sf genres including military sf, space opera, interstellar intrigue, and more, all with solid backgrounds in fields as disparate as biology and engineering.(9)

Of Bujold’s fantasy books, I find most comforting the Chalion trilogy (The Curse of Chalion, Paladin of Souls, and The Hallowed Hunt) or the first of The Sharing Knife series (Beguilement). Falling Free, a mostly stand-alone novel, is also a comfort book, nicely blending the possibilities of technology and humans.

And then there’s Tolkien. Don’t get me started on Tolkien. I’ve read Lord of the Rings dozens of times. My husband, a more visual person than I, has seen the movies dozens of times. As with comfort books, comfort movies no doubt exist. But we won’t get into those. Unless you really, really want to.(10)

Nonfiction comfort books are harder to come by. Familiar but dramatic stories (The Right Stuff), biographies of interesting people (
Catherine the Great: Portrait of a Woman

by Robert K. Massie)(11), and accounts or diaries of exploration do it for me. Ernest Shackleton’s diaries are particularly comforting in the summer. The vivid polar prose actually seems to lower my body temperature.

Your comfort books may be entirely different; in fact, they are almost certain to be, given our differing experiences and reading histories. My friend Leslie returns to the Catherynne Valente Fairyland series (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making is the first), an excellent choice, but also joins me in nearly yearly Bujold binges.

The best thing about comfort books is that I can curl up with them in bed, on rainy or snowy days, with a cat, and lose myself. After eating a big bowl of mashed potatoes.

Now, that’s comfort!

(1) No. No, they’re not. Let’s try again.
(2) There. That’s better. Let’s continue until the analogy breaks down.
(3) Mac-n-cheese. Fried rice. Club sandwich. Grilled cheese with tomato soup, the way my mother used to make it.
(4) Trying to remind myself that I was once an English major and an aspiring member of the literati.
(5) Markus Zusak’s The Book Thief and Melanie Benjamin’s The Autobiography of Mrs. Tom Thumb were the most recent to make me cry.
(6) Last Man Out: The Story of the Springhill Mine Disaster by Melissa Faye Greene or And the Band Played On by Randy Shilts, for example.
(7) Hence mashed potatoes = comfort.
(8) There are only a few I could probably read now – the first of the series (The Unexpected Mrs. Pollifax) and a couple of ones from the middle of the series that featured characters or settings that appealed to me (Bulgaria and Turkey come to mind).
(9) Of the series, the most comforting is A Civil Campaign, described as A Comedy of Biology and Manners. Memory is the best of the novels, but isn’t always comforting, given my experiences with memories and memory lapses.
(10) Hint, hint.
(11) Avoid Prince Albert, unless you suffer from insomnia. The dullest book ever about the dullest person ever was a biography of Prince Albert. Comfort books are soothing, not boring.

Currently Reading:
Fosse, by Sam Wasson
Captain Vorpatril’s Alliance, by Lois McMaster Bujold

Why I Won’t See the Hobbit Movies

People who have known me since I was a teenager would be shocked to hear me say that. I was/have been/still am one of the most devoted Tolkien fans ever – since back in the 1970s when the first wave of Hobbit hysteria hit.

I loved the Lord of the Rings movies. I sat in the theater reciting my favorite lines along with the actors. I curled up in my seat in a fetal position and sobbed when the characters left to sail West. These were my friends and they were leaving.

I knew that Peter Jackson had to make some choices in order to film three books. He could not possibly put in everything. Indeed, some fans were upset that favorite scenes didn’t make it in (Tom Bombadil, for example). I was upset by what they put in that wasn’t in the books (the whole Arwen-is-dying nonsense).

Which brings me back to The Hobbit. At first I fully expected to see it. Then I started hearing things that made me doubtful.

It was going to another trilogy. You make a trilogy of films from a trilogy of books; that’s fine. You make a trilogy of films out of a single book and a short one at that, no good can come of it. You will have to add and pad and then Gad! Stuff that Tolkien never wrote – lots of stuff.

It was another dramatic epic struggle between Supreme Good and Primal Evil. The Hobbit was a children’s story, for crying out loud, that Tolkien wrote for his young son. A simple quest story – There and Back Again.  The Lord of the Rings came later, featured more complex and grown-up themes, including sweeping battle scenes with thousands of extras. The Hobbit was not a “prequel.” It was a stand-alone book. But The Lord of the Rings, which was and needed to be a sweeping dramatic epic struggle between powerful, apocalyptic forces, made money and lots of it. So let’s do it again, whether that’s what the first book was about or not.

The characterizations and tone had been changed to make the films more dramatic and serious. My husband was watching it in another room, and I asked him what was up with all the screaming and yelling and battles. He said, “I was watching The Hobbit.” My jaw dropped.

Conflict, sure. Danger, sure. But so much yelling and screaming that I thought it had to be a war film (or Robocop without the guns)? Much of the book was sweetly comic, with just enough threat, suspense, and fighting to keep its intended readers – children – interested. Millions of us as teens and young adults loved the book as it was. We recognized the value of children’s literature, and still do. The Harry Potter books and films had a massive following that included me and my friends in our 40s and 50s and beyond. We don’t need the works revised for “mature audiences.”

The last straw for me, though, was Radagast the Brown, a brother wizard of Gandalf’s. He was mentioned ONE TIME in The Hobbit and had only a tiny role in The Lord of the Rings. He was essential to no plot, subplot, or theme. He was, as they say in opera, a spear-carrier. Or in this case a staff-carrier.

At first I shrugged. More padding. So what? Then I heard what they did with the character.

They PUT A BIRD’S NEST ON HIS HEAD and had him drive a SLEIGH PULLED BY BUNNIES.

There is no excuse for that sort of thing and I am not paying money to see it. I’ll stay home and re-re-re-re-re-re-re-read the book.

Sleigh-bunnies. Feh.