Tag Archives: books

My Next Tattoo

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I know I’m not the tattoo “type,” being neither a biker nor a chef, but I already have two tattoos and am now considering a third.

My first two tattoos were mental health tattoos. The one I’m getting in the photo is a semicolon. (Okay, I’m also a punctuation freak. The semicolon is my favorite.) It stands for the point in a sentence where a writer could have put a period and ended it there. If there’s a semicolon there instead, the sentence continues. As a metaphor, it means “My story isn’t over” and as a mental health symbol, it represents suicide awareness and prevention.

My second tattoo was a colon followed by half a parentheses followed by another colon, like this :):

In emoji terms, this would be happy face/frowny face. In a mental health context, it stands for bipolar disorder, which I have. (Bipolar used to be called manic depression, and it’s a lot more than wide mood swings.)

Determined to try something a little different – and more colorful – this time, I began contemplating options that would be meaningful, at least to me.

Compass rose. A compass rose is the little design at the bottom of a map that orients you to north, south, east, and west. For me, it symbolizes travel, which is a thing I love to do and have done often, both domestically and abroad, with my mother or my husband or by myself.

I also thought of having a compass rose with a yellow rose, perhaps in the center, in honor of my mother. She loved to travel too, and the yellow rose was her favorite flower. But that might be a lot to cram into a small tattoo. (I want something subtle, not showy.) Maybe I can get a yellow rose separately later.

Books. Reading, as all my friends know, is a passion of mine, one I’ve been indulging since I was four years old. I’ve read under the covers when I was a kid, in the hallway between classes when I was a teen, and practically anywhere and anytime now. (I have three e-readers so I can recharge them and still have at least one to read from. But I digress. I’m not getting a Nook tattoo.)

I’ve been wavering between an open book, maybe with a pen, to signify writing books; an open book laid flat; or a small stack of books. I think the stack of books offers an opportunity for some color, so I’ve been leaning towards that.

Orion. The constellation Orion is my favorite. (Is it weird to have a favorite constellation as well as a favorite mark of punctuation?) I love when it appears every autumn, with its belt and sword of stars, and the big red star Betelgeuse at the left shoulder and the bright blue-white Rigel at the right knee, creating a hunter figure from Greek mythology. (Most people pronounce Betelgeuse as “Beetlejuice,” but I’ve heard other pronunciations as well. Isn’t this educational?)

Astronomy is and has long been one of my special interests. I belonged to an astronomy club in high school. I subscribed to Sky and Telescope magazine for a while. I watched Carl Sagan’s TV show Cosmos avidly, then took his astronomy class in college.

Rather than have the stars as black dots connected by lines or superimposed over the figure of a hunter, I would like the tattoo to have a watercolor background, like a nebula.

I’ve been toying with these ideas for some time, but have been feeling motivated to get on with it recently (perhaps because I’ve been binge-watching Ink Master.) This week I got in touch with one of the artists at Monkey Bones Tattoos, a local studio. Mike, who did the punctuation tattoos, wasn’t available, so I selected another tattooist named Viktoria.

She and I then emailed back and forth about ideas and schedules. The earliest opening she had was in August. (Evidently there is pent-up demand for tattoos, owing to the shop being closed during the pandemic.) I sent her pictures of tattoos that looked something like what I wanted. We discussed the merits of each, as well as how my vision might differ from the “reference” I sent.

So, now it’s official. In August I’m getting a tattoo of a stack of books on one of my wrists. I’ve even put down a deposit for the appointment, so I can’t change my mind. When it’s done, I’ll post a picture of it. But I’m still not becoming a biker or a chef.

Mysteries I Love and Hate

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Cozy mysteries are a thing, and I do not like them. As all my friends know, I am a mystery lover – I’ve even written one, which is now making the rounds of agents.

But cozy mysteries have gone too far. These are the kinds of mysteries that take place in bed and breakfasts or bookstores, that have chefs or weather forecasters as their sleuths, and exhibit little to no blood, despite the crimes. They are called cozies, I suppose because you can cuddle up with a cup of tea and read them, safe in the knowledge that nothing really bad will happen.

And the titles! Most of them are puns – usually lame – based on whatever setting they have. I just can’t bring myself to read something called Chilled to the Cone (bakeshop), Premeditated Mortar (fixer-upper), Absence of Alice (garage sales), or The Malt in Our Stars (literary pub). The “detectives” are never real police officers, obviously. And most often the (supposed) humor and (artificial) quaintness fall flat.

I must admit to reading several cozy series many years ago. These were usually ones that had a setting I was interested in or characters that were well-rounded and well-drawn, or contained cats (sometimes as the sleuth). Susan Wittig Albert did a series based on an herbalist. Diane Mott Davidson did a cooking series, complete with recipes that I never tried. There was a series, the Amanda Pepper mysteries, that was set in a Philadelphia prep school, and the Kate Fansler series, set in the English Department of a college.

One that I used to read devotedly, but finally gave up on in disgust, was Lillian Jackson Braun’s The Cat Who mysteries starring retired newspaperman Jim Qwilleran and his two cats, Koko and Yum Yum. (I also like Mikado references.) The first three came out in the 60s, but there was an extensive hiatus until 1987, when the series reappeared and continued yearly until 2008, with The Cat Who Had 60 Whiskers. I gave up in 1991, with The Cat Who Moved a Mountain, a dreary, supposedly amusing book set in the Potato Mountains, concerning a conflict between two clans known as the Spuds and the Taters. It was just too cozy for words.

Some writers are able to switch gears and write both cozies and grittier novels. Linda Barnes, for example, started with the Michael Spraggue mysteries set backstage at a theater but switched to the much more robust Carlotta Carlisle series when, as she said, Spraggue ran out of friends and relatives to be killed off. Carlisle, a former police officer, drives a cab in her off-hours but encounters plenty of hardened criminals and deaths. These I read whenever Barnes writes a new one.

The other cozy mysteries I read are the Mrs. Pollifax series by Dorothy Gilman. They are typical in that when you read them you know that nothing terrible will happen to any of the main or even subordinate characters (who are colorful, if unbelievable). The thing that attracts me about the Mrs. Pollifax books, other than the goofy premise that she is a grandmother who works for the CIA, is the extensive travelogues of wherever her handler sends her: Mexico, Albania, Turkey, China, Zambia, Hong Kong, etc. I find her novels soothing rather than irritating, the sort of thing I read when I’m stuck in bed with a really nasty flu.

Cozy mysteries no doubt have their place in the pantheon of mystery novels. They’re certainly popular, at least. But for the most part, I’ll take Sue Grafton’s Kinsey Milhone or Sara Paretsky’s V. I. Warshawski over Reel Murder any day. I want believable plots; well-drawn, interesting characters; crimes that make you care what happens; and real danger. Give me early Robert Parker (before he started phoning them in) or John Sandford or Laura Lippman or even the original Nero Wolfe series, for when I want vintage mystery fiction.

Of course, I read other kinds of fiction (Gregory Maguire and Handmaid’s Tale come to mind), but mystery novels hold a special place in my to-be-read list. Let’s not mess up the genre with The Good, the Bad, and the Lemon Tart.

 

1,000 Books

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It goes everywhere with me. It carries over 1,000 of my books. It hands me the one I want at a moment’s notice. It keeps track of what page I’m on without a sticky note. It defines words I don’t know and tells me how to pronounce unfamiliar words. It allows me to sort my books onto different shelves for convenience’s sake and easily find books that I own or that are available in the bookstore. It’s my most faithful companion (aside from my husband) and the best tool that I own.

It’s my ereader, in my case a Nook from Barnes & Noble, though I’m sure Amazon’s Kindle and other devices do much the same things. I’ve gone through several iterations of the Nook device over the years and downloaded the Nook reading app to my iPad. When one gets low on juice, I simply switch to another while it’s recharging.

(Of course, I will need a way to convert all those ebooks to Kindle when the time comes and Barnes & Noble either collapses or stops supporting their own devices. I have a Kindle reading app on one of the readers because there was a book I dearly loved, Rift by Liza Cody, which B&N didn’t offer. But I digress.)

I usually keep two books going at once – one fiction and one nonfiction – and switch back and forth when a chapter or essay ends, or really, whenever the mood strikes me. I have a TBR stack as long as my arm, literally, but it will never collapse on me and kill me. I take my reading addiction wherever I go, never having to resort to reading the labels on ketchup bottles to satisfy my jones.

The iPad with the Nook reading app may be my favorite of all my ereaders, because it allows me to switch to other apps, check my email, messages, and Facebook timeline easily. And it has a snazzy purple case. My second favorite is my Nook tablet, which allows me to do many of the same things and also has a nifty keyboard should I ever want to answer messages, though to tell the truth, I seldom use it. I got that feature so I could blog on the go, but the WordPress app seems unable to accommodate me. The tablet has a spiffy black cover with a magnet to hold it open or closed, and a hinge so I can set it upright should I ever decide to use the keyboard. My third ereader is a basic Nook that fits in my purse.

My husband insisted I get him an ereader too, though he hardly ever uses it. He got one that fits in his back pocket and is linked to my account so he can read any of my thousand books as well. I make sure to buy ones that he enjoys, like Slaughterhouse-Five, A Canticle for Leibowitz, and Fanny Hill, and I introduce him to new ones, like Let’s Pretend This Never Happened.

My one complaint about my ereader is that it does not do pictures well. Once I had a subscription to Barnes & Noble’s version of  National Geographic. The photographs that appeared there were less than impressive. You expect impressive photos from National Geographic. Even the pictures in Miss Peregrine’s Home for Peculiar Children did not reproduce well. And the hand-written letters – I basically had to skip them, even though they contributed a lot to the plot.

Still, I am willing to overlook those flaws. As I get older and my eyes get worse (doc says I’m in line to develop cataracts), I’m going to need my ereader, where I can bump up the point sizes, more than ever. And purses large enough to contain them. Maybe I should carry a needlepoint tote like all the craft ladies I know – containing no yarn. Just 1000 books.

 

Living Like a College Student

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A few weeks ago I wrote about how we were moving, and in finding a new place to live, I thought we might have to live with college students (“Stuck in Our 60s” https://wp.me/p4e9wS-13M). Now we have moved, and I find that instead, we are living like college students.

Back when I first went to college and moved into a dorm, there were certain things that were de rigueur. Cramming a life’s worth of belongings into half a room, whether dorm or apartment. Using stacked milk crates as either a bedside table or a dresser. Building a bookcase out of bricks and boards. Trying to share one small closet with another person’s entire wardrobe. Record albums stashed in the ubiquitous milk crates or banker’s boxes.

Well, we found our new temporary place to live, and it’s quite a bit like that. We moved from a three-bedroom house to a one-bedroom apartment. That’s a lot of stuff to move, much less fit into one-third the space.

Fortunately (or unfortunately) the only pieces of furniture that came with us were the bed and a TV set. The living room is too small for a sofa anyway, so we bought two collapsible camping/stadium chairs and a wooden stool to use at the breakfast bar. It’s hard to snuggle up on stadium chairs, but at least the bed is queen-sized.

Most of our belongings made the journey (about two miles down the road) in totes, those wonderful plastic containers, about the size of two milk crates. They make up most of the rest of our furniture – TV stand, bedside tables, coffee table. Even my desk is a riff on brick-and-board, consisting as it does of two stacks of two totes each, with three sturdy boards across as a desktop. We did manage to bring along a desk chair, which, surprisingly is at just about the right height. My “study,” however, is located in the utility room, where a washer and dryer ought to go, but don’t. I share it with the water heater and the cat box. My husband’s “study” is half the breakfast bar.

The rest of our belongings, including all our furniture and nine-tenths of our possessions, currently reside in a crammed-full storage unit. In two and a half to three months, they will be released from their confinement (and so will we). It is devoutly to be hoped that a proper moving truck and some husky young workers will accomplish the transfer of all that accumulated stuff to our rebuilt, three-bedroom house. This recent mini-move was a do-it-yourself affair, involving the rental of two U-Haul trucks and the capacity of our Ford Escape. And many, many trips.

Our new apartment complex is quiet, not packed with college students, very near the entrance to the highway (so Dan can get to work quickly), and has a laundry facility that will make up for the lack of one in my study. I work in my jammies, anyway, so I don’t have to be washing and drying work outfits or much else besides t-shirts (my other fashion choice). As a matter of fact, all the clothes I expect to need for the next three months were packed in one suitcase. And Dan wears a uniform to work, so he doesn’t need much in the way of clothing either. And while he may not have his own study, he does have a small patio, where he can commune with his assorted plants and bird feeder.

As for the books and record albums, electronics have become our friends. My computer has iTunes, we both have iPods, and there are any number of devices around that act as e-readers, from my cellphone to a tablet to an actual e-reader. This obviates the need for thousands of linear feet and who-knows-how-many pounds of reading and audio material. Our collection of DVDs is much reduced as well, easily able to fit inside one of the many totes.

Do we love our new apartment? No. Does it meet our needs? Not really. Can we tolerate it for three months? We can tolerate nearly anything for three months if, waiting at the end of it, there is a newly rebuilt, two-story, three-bedroom (well, one bedroom and two studies) home with all new furnishings.

I won’t say it’s going to be easy, but if there’s one thing my husband and I have learned to do during our life together, it’s to drop back five and punt. We’ve been punting a lot over the last year, but this time the goalpost is at least in sight.

 

Meeting With a Publisher

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The other week, I met with a local editor/publisher, David Braughler of Braughler Books, to pick his brains about the publishing industry and how I could find someone to take on my recently self-published books. (It’s a long story. See https://wp.me/p4e9wS-118.) This was suggested to me by a friend from the Erma Bombeck Writers’ Workshop, which I attended a few years back. Actually, I had met Mr. Braughler at that workshop, too, but only spent ten minutes talking to him.

So, here’s what I learned about meeting with a publisher.

First, it’s necessary to dither (at least for me, it is). I wanted to make a good impression, so I had to overplan every aspect of the situation. Where was the Starbucks we were supposed to meet at? What should I order? Would I even know how to order from their arcane menu, this being my first time at any Starbucks? Honey Citrus Mint Tea? Short Salted Caramel Hot Chocolate with 2% Milk? And OMG, what should I wear?

The next thing I discovered was that I needed to be prepared (yes, I was a Girl Scout). I rounded up copies of my two books. I got a small notebook to record any suggestions and placed it in my purse. I acquired a small thumb drive and loaded my work in progress on it, just in case. (I was going to ask for advice about that, too.)

And I followed the publishing company on Facebook and checked out the company online – how long they’d been in business, how many books they’d published, testimonials from satisfied authors, etc. Best to be able to ask a few intelligent questions or make knowledgeable remarks.

Then I started the conversation. What I most wanted to know about was promotion and marketing. I made a list of all the things I had done to promote my first book and ideas I had for the second book. Mr. Braughler validated the things I had done for the first book (a reading/signing, postings on Facebook) and some additional ones I had done or planned for the second book (an ad on Jenny Lawson’s blog page, since our audiences overlap) and an email to an author I know whose WIP is in the same genre as mine. (I never got a chance to give my WIP to Mr. Braughler, but I did give him copies of my two published books.)

I paid attention and made notes. I wrote down the info about the local authors’ day. I made notes on how to convert Word files to Mobi or to convert Kindle to Mobi (the software is free at Amazon) in case I wanted to take advantage of Amazon’s services in order to resurrect my first book, which was going out of print. I asked about Kirkus Reviews and received a suggestion about getting free reviews in writers’ or subject matter newsletters. He told me about a local library that has monthly author days and a local university that has a free workshop.

I followed up. I called the library and booked a date to participate in the local author day (assuming the libraries will be open again in May), and noted their suggestion that I get signage and a credit card reader for the occasion. I wrote to the author about my WIP and received a nice email back. I went ahead with the Jenny Lawson ad and am still debating the Kirkus  Review and an IngramSpark ad. I connected with alumni newsletters from my alma mater.

I evaluated what I learned. Mr. Braughler told me I was doing many of the right things when it came to promoting my books. I discarded the idea about producing a Kindle edition because of all the software hassle and went with IngramSpark to get my second book published and my first back in circulation. I learned that I should keep doing what I had been doing, only more of it.

I am grateful to Mr. Braughler for taking the time to talk to a local author and found the 30-minute conversation very informative and helpful. If in the future I need the services of a hybrid publisher, I shall certainly go to him. In the meantime, I will do my best to put into practice his wise suggestions and hope they will help my books, Bipolar Me and Bipolar Us, go viral.

The Parents Who Didn’t Read and the Daughter Who Did

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Everyone knows that the easiest way to raise a child who reads is for the entire family to read. The child should see the parents reading, lots and often.

But that’s not the way it happened in my family. Oh, my folks could read; they just didn’t.

I never remember my father reading anything when I was a child. He got his news from the television. He might thumb through an issue of American Rifleman at the car wash. But he didn’t read books while we were kids.

(Later in life, when he was bedridden with bone cancer, a family friend who worked for the library would bring him bag after bag of Zane Grey and Max Brand and Louis L’Amour novels, which he devoured. But I digress.)

Despite the lack of reading that went on in the house, there was always plenty of stuff to read. Little Golden books and Bible stories at first. I learned to read at my mother’s side, as she read storybook after storybook to us girls. Although she didn’t read for herself, she read for us.

My sister read some. Being a very literal person, every year she would start to read Under the Lilacs while sitting under the lilac bush in our backyard. (I don’t know if she ever finished it.) When she reached the horse-mad stage, she read Black Beauty, My Friend Flicka, Misty of Chincoteague, and anything else equine-related she could get her hands on. Her reading tastes were largely satisfied with that.

I think the thing that turned me into the voracious reader I am today was not the example of my parents, but the sheer amount of literature that was available. Our parents purchased sets of children’s books. (I can’t remember what was in that series now besides Under the Lilacs and Uncle Remus Stories, which gave me fits with the dialect.) We had collections of Nancy Drew books and Tom Swift books.

My mother had a subscription to Reader’s Digest, but I don’t remember her reading it, or the Reader’s Digest Condensed Books that sat in fat rows on our bookshelves. When we weren’t making Christmas trees of the magazines by folding the pages, I read them and the Condensed Books. That’s where I acquired my taste for true adventure, I think. It’s not that big a leap from “Drama in Real Life” to Jon Krakauer’s Into Thin Air. I first discovered To Sir, With Love as an R.D. Condensed book, then devoured everything I could get my hands on about teaching, my career goal at the time.

We also made extensive use of the public libraries and the ever-awesome bookmobile, since my parents’ middle-class income couldn’t keep pace with my reading tastes. And there were used book stores, too, where I could swap a grocery bag full of books for another.

There was no way my parents could screen my reading matter, so they didn’t even try. I didn’t receive a very balanced reading education or a very sophisticated one. I read whatever interested me, from novelizations of The Man from U.N.C.L.E. to histories of Russia. I discovered Dr. Seuss and The Hobbit and Erma Bombeck. “Serious literature” I got from school, but love for reading came at home.

Having parents that read is a good thing, and no doubt it does help turn some children into reading mavens.

But if you ask me, letting a child explore reading at her own pace and through her own interests can be as effective as any planned course of literature or example of parents perusing the Great Books.

It worked for me.

 

Adventures in Publishing (Indie and Self)

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I wanted to publish a book. And so I did. The second book was more difficult, and not because it was harder to write. I had some things to learn about the realities of publishing.

Oh, I did go through the usual rounds of submissions and rejections with my first book. It was too specialized. I didn’t have a big enough platform. It was a niche market. I didn’t want to self-publish, turned my nose up at it, in fact, but after a while, I started to think it was my only choice.

Then I found a small indie publisher (or they found me). They published just the kind of stories I had to tell – books about trauma, loss, renewal, and especially about mental disorders. And my book was about my struggles with bipolar disorder. Within two weeks after I submitted it, they accepted my manuscript.

There followed the usual rounds of back-and-forth. I’m an editor myself, so my book was in pretty good shape, but their editor made some excellent suggestions and tried to tame my idiosyncratic use of commas. I worked with a designer on the cover. He took my ideas and put them into visible form. After only a few tweaks, it was done.

There were still proofs to be approved, formatting decisions to discuss, a dedication page I had forgotten to add, a photo shoot for my author photo, copy for the back cover, a press release, and the myriad other things that had to be supplied, written, proofed, and approved. At last, less than six months after my manuscript was accepted, my book took final form and was published, in both paperback and ebook versions.

I was over the moon, needless to say. I looked for opportunities to promote my book, Bipolar Me. There weren’t that many and, as you may have guessed, the publisher was not a lot of help in that area. I did scare up an hour-long interview on a podcast (where it was clear the interviewer had not read the book), an interview (with picture) in the local newspaper and online edition, and a reading/signing at my local Barnes & Noble. (Very few attendees, but some interest from other people sitting in the café, which is where the event was held.) I sold very few copies.

The indie publisher also accepted my second book, Bipolar Us, a sequel to the first. Things didn’t run on the same rails as the first time. It was nearly a year until the manuscript was edited and formatted, the cover image produced, and all those other steps I just mentioned. It was frustrating to move so slowly when it had gone so smoothly before.

Then.

Just when my book was on the point of completion, ready to go to print, the publishing company folded. My first book would be available for only a few more weeks, and my second book would not see the light of day.

It was time for me to reconsider my notions of self-publishing. It seemed to be the only way I could get this almost-finished book over the finished line, as it were. Since then, I have been dealing with IngramSparks, providing them with the materials that the indie company had released to me (I still own the rights).

This week I approved the final paperback version for printing. (The ebook will come later, once I get my epub file.) And I fully intend to rerelease my first book as well.

I’m going to try to be smarter about publicizing and promoting my book this time. I’m going to make sure it gets reviewed and gets into the hands of influencers in the field. I’m going to take out a few strategic ads. I’m going to contact the local libraries and the local college bookstores to see if they will stock my book.

And in the meantime, I’ll be working on my next book, one in a totally different genre, that has been on hold while I wrestled with these two.

Writing Is Art, Too

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You know all those posts you see this time of year about how important it is to support artists and local artisans?

I have no quarrel with that. Artists and artisans need and deserve our support. Most of them contribute to the local economy and many are barely squeaking by.

But let’s also give some love and support to the writers. Writing, after all, is an art, too.

Let’s take painting as an example of an art. How, you ask, is writing like painting?

First of all, writing, like painting, takes practice, at least if you want to get better at it. Painters create works that they know they can never – don’t even want to – sell, especially when they are just starting. One thing they can do with these beginning pieces, though, is analyze them. What could I have done better? That section of the painting is muddy? What could I do to adjust the colors next time? That hand doesn’t look realistic. I need to work on painting people’s hands. I can’t just hide them in every painting.

Painters are often influenced by famous painters whose works they admire. They study these paintings. Some even try to paint in the same style or using the same color palette or the same type of subject matter. They may experiment with cubism, pointillism, art nouveau, impressionism, photorealism, or all of the above. They may imitate the style of Monet, Hopper, Cassatt, or O’Keefe. They’re not being copycats or attempted art forgers. They are acknowledging the greats and learning from those who came before them.

Writers, too, must study and practice, if they are to improve, and especially if they want to produce work that is saleable. Most writers have favorite authors and analyze what it is about those authors they admire. Does one a novelist write elegant description? Does a mystery writer use tight plots and exciting dialogue? Does a short story writer pack a wallop in a small space? These are qualities that can be learned and practiced. One writer of my acquaintance pores through her favorite authors’ works and highlights dialogue tags, for example, or sensory descriptions, or foreshadowing.

The next step for many writers is also to imitate the greats. A mystery writer may try to emulate Sue Grafton. An aspiring fantasy writer may study George R.R. Martin or J.R.R. Tolkien. A neophyte poet may be drawn to confessional poets like Sylvia Plath and Anne Sexton or to sonneteers like Shakespeare or Elizabeth Barrett Browning.

When it comes to supporting local artists, you can often find their work at local art festivals and craft fairs. Some conventions, such as science fiction conventions have art rooms with paintings and drawings for sale or auction and general merchandise rooms that feature handmade jewelry, glass blowing, and other arts and crafts.

But where do you find the work of local writers? It’s not like anyone’s selling poems door-to-door. Well, just as there are local art fairs, there are also local or regional book fairs, where writers rent tables and try to entice passersby with their works. Frequently, when you buy directly from the author at one of these events, most of the money is likely to go to the author and not to a far-off publishing company.

Readings at bookstores and even libraries are other places to meet local or regional authors and get a sense of their work before you purchase. If you like the writer’s books, but are unable to purchase one, call your local libraries and ask them to stock that title. An author is thrilled to make a sale to a public library and by encouraging that, you are helping that writer.

There are other things you can do to support writers as well. Leaving a review on Amazon – even a two word “Liked it” – is import to writers. Amazon really cares about the number of reviews a book gets. Goodreads is another excellent place to write reviews.

Most of all, show love for your local authors by talking about them. Word-of-mouth sales are still important, even in this digital age. It’s the same with local painters and other artists. The more you spread the word about how good they are, the more you are helping talented community members make a living so they can keep doing what they do best – making art.

Why I Stopped Killing Trees

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I’m a book lover. Have been all my life. I don’t even remember learning to read. So why am I now getting rid of most of my books?

Hint: It’s not that woman who says you should keep only 30 books. She also says that you should look at your possessions and ask whether they bring joy to your life. And all these books have certainly given me countless hours of joy, plus every other emotion you could think of. I couldn’t possibly pick only 30 that have affected me joyfully, or in some other way.

Nevertheless, my bookshelf now contains a mere 20 books. Oh, there will be more. But not nearly as many as there used to be.

Many – I venture to say most – were destroyed either by our recent natural disaster or by the incompetent salvage company that stored them in boxes which they left sitting on wet carpet for days. And then put the soaking boxes in a hot, lightless pod for weeks. Can you say “mold,” kids? I knew you could. Pages glued together? Plenty of that too. We’re currently going through those boxes and rescuing what we can.

Still, I’m discarding many more books than I’m keeping. The ones that are physically ravaged, of course, but lots of other books that are in relatively good condition. I’m not trashing those. I’m donating them to the Planned Parenthood Book Fair, where, to tell the truth, I originally got many of them. (That was the only place I’ve ever had to cross a line of protesters to buy a bag full of books. But I digress.)

What are my criteria for keeping and disposing, other than mold and water damage? I am keeping any signed-by-author books, ones that friends have written, a few books of poetry, and little else. Dozens of true crime paperbacks – gone. Dozens of hardbound as well as paperbound mysteries – off to Planned Parenthood.

I had hundreds of books. Maybe a couple of thousand. They filled three floor-to-ceiling bookshelves in my study, and spilled over into stacks on the windowsills and piles in the bottoms of closets, where normal people keep shoes. There were books all around the bed, in the bathroom, and on more bookshelves in the hallways and great room. There was even a bookshelf on the stair landing. More books than a person could read in a long lifetime. Though I had read my way through a fair percentage of them, I had a TBR pile tall enough to kill me if they tumbled over like a giant Jenga.

Now I’m replacing most of my books with e-editions. I like to think that I’m saving thousands of trees, but really my motivation is not nearly so lofty. I have nearly a thousand books on my Nook and I can carry them with me anywhere without being squashed and needing to have another back operation.

There are things I do miss about so-called dead-tree books: the solidity of them; the sensory touch of turning the pages; the colorful bindings, dust jackets, and covers; and, of course, the smell that takes me back to my days lurking in second-hand bookshops. And there are books that don’t do well in pixels, such as the Miss Peregrine books that rely so heavily on photos and hand-written notes.

Which brings me to why my husband is making the insurance company replace his books with actual, physical pages and bindings. He’s a very visual learner and had dozens of coffee-table-type books recording everything from the War in Vietnam to the legacy of the Grateful Dead to the latest fantasy art to Middle Eastern architecture. It’s actually kind of fun searching for them online, seeing if Amazon or ebay has the best price, and then stalking the mail carrier for a week afterward.

Anyway, books are books, no matter what form they appear in. I just dread the day when my e-book purveyor goes out of business entirely and I have to switch to a different dealer to provide my literary fixes.

The Naked Audience

etc., funny things, journalism, literature, writing, , , , , ,

I had a public speaking engagement coming up. In fact, my publisher had arranged to have me do a reading/signing of my first book, Bipolar Me, at the local Barnes & Noble.

I do suffer from anxiety but, perhaps surprisingly, this did not have me paralyzed with fear. For one thing, I had supportive friends. Although the most common advice given to people who do public speaking is to picture the audience naked, a friend of mine offered to picture me naked instead if I thought it would help. And my husband offered to stand in the back of the room and shout, “Show us your tits!” if I started to freeze up. Such helpful friends I have!

Perhaps the reason that public speaking doesn’t terrify me is that I studied speech and debate in high school. Once you’ve been in an extemporaneous speaking contest and drawn the topic “If a chicken had lips, could it whistle?” there’s little that can daunt you in the future. (For those interested, I said, no, it could not.)

I also have some experience teaching college and business school English. Sometimes this endeavor was fraught with peril. Once I was teaching a lesson based on a reading about AIDS and one of the students informed me she had heard that it started in Africa with people “messing with monkeys.” I told the class that I denied that was what happened.

One student piped up, “People do screw sheep, you know.” (He did not say “screw.”) I knew this was meant to disconcert me. “Mr. Chadwick,” I replied, “can you please tell us what disease you can get from screwing sheep?” (I did not say “screw” either.) He did a perfect spit-take, the only one I have ever caused or indeed seen in real life.

(I referred to my students as Mr., Ms., or any other courtesy title they were entitled to, on the theory that if they were required to call me Ms. Coburn, I should extend the same dignity to them. But I digress.)

I had even done public speaking at business functions. Once I had to address a group at a power breakfast meeting, introducing a new magazine that the publishing company I worked for was launching. I even opened with a joke. (“I thought that since we’re launching a new magazine, I should open with a toast. My husband said, ‘A toast? At breakfast?’ ‘Okay,’ I said, ‘how about cinnamon raisin toast?'”) There were gratifying chuckles.

Another time, I was asked to give a humorous talk at the retirement dinner of my boss. (Again, my husband was prepared to stand in the back and heckle.) I borrowed a technique I had seen used at a business conference and created an imaginary slide show. I used one of those little clicker gizmos that nuns used to carry in Catholic schools to “advance” the slides and then described whatever scene I wanted to set up a punchline. (“Here’s a picture of Carl dressed as The Big Bad Wolf for Halloween. The next day he called in sick with distemper.”) Afterward, they gave me $100, so I suppose now I can call myself a professional stand-up comic.

My Barnes & Noble talk, though, didn’t exactly go off without a hitch. Only two of my friends showed up (plus my husband). Luckily the event was held in the bookstore’s cafe and I managed to suck in a few patrons, especially during the question and answer session. I had to skip my introduction, as the audience already knew me, and cut my joke, too. (“What is bipolar disorder like? It’s like sex. You can’t adequately explain it to someone who’s never had it.”)

Anyway, I counted the appearance as a success. I read a few short pieces from my book, which I had cleverly printed out in large type beforehand so I wouldn’t squint. I signed a book for one of my friends and a bunch for the store so they could put “Signed by the Author” stickers on them. One member of my accidental audience asked for my autograph and a few words of wisdom, though she didn’t buy a book.

And the store said they’d be glad to have me back when my second book, Bipolar Us, comes out later this year. No joke.