Tag Archives: decorating

A Room of My Own

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So, we bought a house, a couple of decades ago. It had three bedrooms, which seems a lot, since there’s only my husband and myself. We seldom had overnight guests, and when we did there was a pull-out sofa bed.

What did we do with the two extra rooms? Media center? Exercise room? Yoga studio?

No. One became my study. I needed a place to write my stories, articles, blogs, books, and draft my novel. Someplace where I wouldn’t be disturbed (or could be as disturbed as I like).

Then, of course, so my husband shouldn’t be left out, the other spare room became a study, too. It wasn’t a “man cave,” since neither one of us believes in those things. But it was a place where he could store his curios and fossils, watch TV or do research on the computer, hang his favorite artworks, house his books and DVDs, and just generally kick back.

Then along came the tornado that destroyed our house. It gave me the opportunity to start all over with my study, make it into my refuge as well as my writing space, and decorate it from the ground up – literally.

I’ve included a few pictures of my study for illustration purposes. It’s not really as orange as it looks in the photos, more the clay-like color of used bricks. The carpet is a deep tan. The ceiling, blinds, and windowsills are white. The furniture is a collection of different colored woods, including both new and used pieces. Several of them have electrical outlets and USB ports to accommodate my collection of electronic spaghetti.

Here’s a few highlights of my study:

  • a desk and desk chair, of course, facing a window
  • a bookcase, of course
  • a Mac desktop computer
  • a two-drawer wooden file cabinet that serves as a printer stand
  • my Cornell diploma and an EdPress award
  • a comfy chair in a color called spice, just a shade or two deeper than the walls
  • several pieces of art, including a piece of calligraphy by Dr. Masaaki Hatsumi and a drawing by Debbie Ohi with a quote from Neil Gaiman
  • a Venice carnival-style cat mask
  • a TV and a stand for it, which will also hold my Mr. Coffee machine
  • a cat tree by the window (the window sills are also wide enough for them)
  • assorted plush animals, knick-knacks, and such travel souvenirs as survived the tornado
  • a lamp and a tissue box made to look like old books
  • a concrete armadillo, which serves as my doorstop

I don’t have as many books as I used to, which I know to some is a sacrilege, but now I have them on my e-readers. I still have print copies of The Annotated Alice, The Annotated Gilbert & Sullivan, and several signed mystery and science fiction novels. My CD collection is likewise gone, replaced by iTunes on my computer and my iPod. I have a few DVDs that are special to me, which will reside in my TV stand, along with more plush animals and knick-knacks.

My study is far from finished. I still don’t know how to disguise or hide the powerstrips. Some of the artwork needed restoring, and much of it still needs hanging. My bookshelf is new (to me) and needs to be filled. Somewhere in the basement, I have a decorative wall-hanging brass shelf that I haven’t quite figured out where to put.

At any rate, it’s still a work in progress, but rapidly taking shape. It’s warm and cozy, relatively quiet (after the neighbors get their houses built, I mean). And it feels good to have, as Virginia Woolf said, “a room of one’s own.”

 

Straight From the Art

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“I don’t know art, but I know what I like” is an old saying that expresses what many people really feel about art. Unfortunately, what they like is seldom art. More like dreck or kitsch. Maybe not sad puppies, but over-the-sofa mass-produced art. “Art” that doesn’t evoke thoughts or feelings: wonder, awe, challenge, mystery, inspiration, anger, sexuality, tenderness, memory, questions, fascination, laughter, pity. “Art” that doesn’t take you outside of yourself or into yourself.

I did learn a little about art in school – mostly the Impressionists (and a little about the Fauvists) because I was studying French at the time. Later on I learned a bit about cubism, pointillism, and a few other -isms. Still, most of the art hanging in my house is simply what I like.

Oh, I had a Van Gogh Sunflowers poster in my college dorm room and was thrilled beyond words to see the original (or one of the originals) in the Philadelphia Art Museum. Seeing the almost sculptural aspects of the brushwork made me unable to be satisfied with a flat poster ever again.

But gradually, the artwork surrounding me has become more … idiosyncratic.

This was brought home to me recently when, after a natural disaster, most of the many artworks that graced our home were assumed lost. We never knew just how much our artworks meant to us until they were gone. They had become such a fixture in our house that we didn’t really appreciate them as we did when we first acquired them. And that was a shame, because losing them left a distinct hole in our lives.

The rental house that we moved into was entirely devoid of decoration. There were flat, neutral walls; flat, neutral carpeting; flat, neutral furniture. I know they have to make rental houses this way to appeal to renters with various kinds of furniture and taste, but we had nothing to take the edge off all those neutrals. Nothing relieved the eye.

Our “art collection” was nothing elaborate or expensive, but it had meant a lot to us. A large part of my contributions to the household decorations consisted of paintings by Peggy McCarty, a talented friend of mine. These included self-portraits, paintings of food, and a couple of paintings of me or one of our cats, as well as a tiny landscape refrigerator magnet.

Dan collected many posters and prints, some of them signed and numbered, at the science fiction conventions we went to. These featured moody or majestic planet-scapes; cacti bursting off the ground like prickly green rockets on pillars of flame; wizards, changelings, and such; and a carved head of Einstein. Not all of them were to my taste, but, as the saying says, he knew what he liked. And some of them I found stirred my heart as well.

Not that my contributions to our household artwork were all formal and highbrow. One framed poster that Dan got for me was the theatrical poster from the Puss in Boots movie, which had a prominent place on our bedroom wall. The bright orange and yellow background demanded you notice it and, well, I’ve always had a thing for anthropomorphic cats.

Not long ago, we discovered that a number of our beloved artworks had survived the tornado. Some of the unframed, unmatted ones had sustained damage and others still haven’t shown up. But I was so happy to see the ones that did, I almost cried.

Naturally, we went right out and bought a bunch of Command Hooks (“Do. No Harm”) and started alleviating all the neutral walls with things that remind us of our old home while we wait for it to be rebuilt.

My study (actually the small bedroom) walls are graced by four small works: one of apples painted on a board by my artist friend Peggy; a print of a metal tiger from the Chinese Soldiers exhibit at the local art museum; a colorful Debbie Ohi sketch with a Neil Gaiman quote that I won in a raffle; and a framed, round, black-and-white drawing of a cat on a branch with stars in the background.

We each selected one work for special placement in the living room. Dan chose a framed poster of “To Everything There Is a Season” that used to hang in his office. I chose Peggy’s painting of Dan’s first cat, which I had commissioned her to paint for him for his birthday one year.

We haven’t settled on what goes in the master bedroom yet, though there is an evocative blue and white framed print that has a good chance of making the cut. So does Puss in Boots, though it will clash terribly.

But I know what I like.

Rearranging the Furniture in My Head

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I knew a woman once who, when she was at business conventions and besieged by requests, saturated with meetings, and overwhelmed by the exhibit hall, stated that she had to retreat to her hotel room “to rearrange the furniture in my head.” I thought that was a great way to put it. We all have furniture in our heads and sometimes it’s necessary to place it in areas where we won’t trip over it and bruise ourselves. Or there may be more furniture than we need and we must jettison some of it.

Now, however, rearranging the furniture in my head has become more literal. I’m basically in the position of having to furnish an entire house, and indeed to be involved in planning the shapes as well as the contents of the rooms, since our house was destroyed by a natural disaster.

This is challenging. We loved our house the way it was, with only a couple of changes that we could envision making. We have an architect working on it and he’s made some pretty fine suggestions. He has told us that we can add amenities such as skylights and bay windows, plus making what had been a deck into a screened porch or “catio.” We’re also willing to trade some storage space to have a larger downstairs bathroom. But even if we left the floor plan basically the way it was, there are still a lot of decisions to be made.

It’s the furniture that has me puzzled. All our life, our house has been decorated in what my parents liked to call “Early Married Junk.” (We’ve been married for more than 30 years and that’s still our decor.) Now, having to pick out things that actually go together is stressing me out.

Choosing color schemes is no picnic, for example. We barely had a color scheme for our wedding, starting with off-white so the guests wouldn’t snicker. This was in the days before weddings had themes or groom’s cakes or favors for the guests or designer cocktails. We had a cake decorated in our colors and called it a wedding day.

But now it seems that every room must have a color scheme and a “look.” Boho? Country? Modern? Classic? Retro? Anything but ’50s, no matter what my husband says.

Saying goodbye to our original kitchen decor will not be a hardship. The house was designed in the ’70s and the kitchen was done in orange. Countertops so orange you could lose a pumpkin if you placed it on one of the surfaces. Psychedelic patterned indoor-outdoor orange carpeting that caused hallucinations if you stared at too long. I don’t know what we’ll settle on, but that’s not it. Generally speaking, I think carpeting in the kitchen is a Bad Idea, psychedelic orange or not. Linoleum, tile, press-n-stick “wood” – nearly anything else.

Once I tried to decorate a bedroom. I was going for a travel theme with bright, yellow-gold walls and our assorted souvenirs as accents, with jungle print or brown, rust, and gold bedding. I managed to talk my husband into light oak for the bed, but couldn’t convince him to ditch his cherry chest-on-chest. It was an antique, but also a dark, hulking presence against one wall. We had compromised on each of us decorating one half of the room’s edges. My half had a rattan teacart and etagère. His had classical paintings of naked nymphs, plus brooding African masks that seemed to follow your every move. Admittedly, they did complement the travel theme, but they were still unnerving.

Now we will have a master bedroom, two baths, two studies, a great room, and a kitchen/dinette to deal with. By the time the house is built, I may just decorate every room with padded walls. Until we actually have rooms to put things in, I’ll keep browsing decorating websites and rearranging the furniture-to-be in my head.