All posts by Janet Coburn

Sometimes the Movie IS Better

Фильм (film). Концепция изменения выбора

It’s a truism that the book is better than the movie. And like all truisms, it’s not entirely true. In a few, rare cases, the movie is actually better than the book it is based on. Some films don’t just adequately portray a book. There are times when the film outshines the book.

Let me start by saying that The Hobbit was not improved by being made into a movie. It might have been okay if they had made it into one movie, but three movies? No. I have written about this before. (http://wp.me/p4e9wS-1n) Sleigh-bunnies. ::shudder::

That said, as I see it, there are two factors that can make a movie better than a book: length and depth.

Length. Most books are simply too long to translate exactly into movies. Most of the time this means that excellent – even necessary – material will be left out of the movie. The Lord of the Rings, for example, required three movies and still left out significant parts of the three books. I know there are people who still regret the loss of the Tom Bombadil and Goldberry scenes and I think that the Scouring of the Shire should certainly have been included.

Other books, however, have long stretches of text that do not translate well into evocative visuals or scintillating dialogue. Leaving them out can be a good thing. For example, The Heart Is a Lonely Hunter, by Carson McCullers, is a long and complex book with lots to say about race, sociology, and economics. The movie (1968) trims out much of that content and focuses on the tender, evolving relationship between the two deaf-mutes and the young girl. The challenging intellectual and political content would pull attention away from the emotional center of the movie.

Gorky Park (1983) is another wonderful movie that has advantages over the book. Martin Cruz Smith’s novel has a long section in which Arkady languishes in a sanatorium, and it drags a bit. While this episode may be relevant to developing Arkady’s character, using it in the film would not improve the tempo of the movie, which after all is a murder mystery/thriller.

Depth. Occasionally a book, although it may have sold well, is emotionally flat. This could happen when a writer is inexperienced, or even too experienced –when he or she simply “phones it in.” The film version – if it has a good director, screenwriter, and/or outstanding actors – can take the story to a much higher level.

Twice I have had the experience of seeing a movie that I liked very much, then getting the book it was based on, only to be profoundly disappointed. One of these was the little-known spy-comedy Hopscotch (1980) which, although it sank without a trace, is a fun little film that has long been a favorite in our household. The novel was nothing special. The writing was uninspired, and the characters not well developed. All it really had was a plot. The movie, on the other hand, was vastly improved by the addition of Glenda Jackson’s character – who did not even appear in the book – and by the comedic range of Walter Matthau’s portrayal of the lead character. Or, as Rotten Tomatoes put it,

As written by Brian Garfield, Hopscotch was a conventionally serious espionage novel. As adapted for the big screen by Garfield and Bryan Forbes, Hopscotch is a lively exercise in cloak-and-dagger comedy, even when the pursuit of Matthau turns deadly towards the end.

The movie dialogue was wittier, the characters far more interesting, and the resolution more satisfying. I wish I had never read the book.

I had the same reaction with the movie and book of Three Days of the Condor (1975). (Actually, the book, written by James Grady, was Six Days of the Condor. That was part of the problem.) The movie compressed the action to heighten the tension and make the chase elements more compelling. At the same time, Robert Redford and Faye Dunaway’s characters had more complex personalities and revealing interactions than the stick figures in the book. I would never recommend the book, but heartily recommend the movie. Sydney Pollack’s efforts as director are certainly a major contributing factor to the film’s superiority.

Admittedly, most of the time it is a mistake to try to translate good literature –or even simply entertaining stories – to film. Even now that CGI makes possible depictions of events and characters that would formerly have been disappointing at best or even impossible, some things are simply better left to the imagination.

Usually books are one of those things.

But not always.

A Story From the Art

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Usually you think of a writer writing and then an artist creating illustrations or a piece of art for the cover – one on every page, if it’s a children’s picture book. And usually that’s the way it goes.

But every once in a while the natural order of things goes awry. Every now and then, a writer must take a piece of art and shape a story to fit it.

Once it happened to me, when I was writing and editing reading passages for children’s textbooks. The tasks assigned were annoying enough – stories that were required to have certain numbers of parts of speech or phonological items, with restricted vocabulary and very specific reading levels.

Then one day we were given an already existing children’s story, one that had seven or eight illustrations that had been drawn specifically to go with the text. We were told to select four or five of those pictures and write completely new text to go with them. We could rearrange the pictures – put them in a different order – and we could choose which ones to use or eliminate. But that was the assignment: Take the pictures and then write the story. If it seems totally backward to you, it did to us as well. Of course the stories still had to have certain lexical  components, be entertaining, and provide a message or lesson for the readers.

I remember the set of pictures I was given. The illustrations showed a young girl in a tropical setting, at one point with her sitting on a throne. In my story, the little girl claimed that she could speak to animals. No one believed her and she was thrown in jail for lying.

The little girl really could speak to animals, however, and she called upon jungle friends to rescue her. The people who had jailed her discovered that she really had this unusual ability all along. They apologized profusely and threw a big party for her and she sat in the seat of honor.

It was a particularly difficult story to write. The pictures did not lend themselves to any story other than the obvious one about a jungle princess and her animal-filled realm. It was even harder to think of a tale that would convey a message.

What I tried to show in my story was that just because something had never been done, that didn’t mean it was impossible. And if someone made a claim, it was better to test the claim than merely assume the person was lying. I thought the idea of speaking to animals and having the animals rescue the little girl would also appeal to children.

One thing that is particularly frustrating about writing for textbooks and  other sorts of publications is that one never knows what happens to the fruits of one’s labor (at least until the internet, with number of views and “like” buttons and comments fields). Was the story accepted by the higher-up textbook folks? Did it get changed in the editing process? Did they even like what I had done with the illustrations? Did it make it into print? Most of all, I wondered whether any children read my story, perhaps enjoyed it, or understood what I was trying to say. To this day, I have no clue.

Writing in those circumstances is like dropping your work down a well. You never hear the splash, or even know if there is a bottom to the well.

I like to think that somewhere, some child liked my little stories, whether or not they learned about diphthongs or consonant clusters from them.

I also wonder about the illustrations. Did they get passed along to yet another writer who had to invent yet another story to go with them? If they did, I would certainly like to have seen what they came up with. It was an interesting exercise. But did it result in something educational or entertaining or even interesting?

Personally, I believe that children’s books should be written first and illustrated later. I also believe that requiring writers to abide by rigid rules makes it less likely that the story will be appealing. And if the story isn’t appealing, I believe it is less likely that the children who read it (or are supposed to read it) will get anything from it.

To me that’s not the way children’s literature should be written. But then textbooks aren’t really literature, are they?

Take a Look!

Sometimes I write for other places around the web. Here’s my latest syndicated post on BlogHer: http://www.blogher.com/give-your-blog-pizzazz-visuals

I Want My Blankie!

Linus’s security blanket. Radar O’Reilly’s teddy bear. That kid in Mr. Mom‘s woobie (which seems to be where the term “woobie” was invented). (See https://www.youtube.com/watch?v=vSVCQ-NmTac.)

What do all these things have in common?

They’re what psychologists call “comfort objects,” or as Wikipedia defines it, “an item used to provide psychological comfort, especially in unusual or unique situations.”Morgenmuffel

But look again at that list. What’s different about one of the names? Radar O’Reilly is an adult, or at least grown-up enough to be a corporal in the U.S. Army. Some of the characters on the show and in the audience poked fun at him, but most understood – Radar was in a strange and dangerous place and needed a comfort object to remind him of his childhood home in Ottumwah, IA.

And Radar isn’t the only adult who needs a woobie of some sort. Alabama journalist Anna Claire Vollers wrote:

Last year, the hotel chain Travelodge polled about 6,000 people in Great Britain and found 35 percent said they sleep with teddy bears. A surprising 25 percent of men admitted to bringing their teddy bears with them on business trips.

So now I have a confession to make: I own an array of comfort objects and sometimes take them with me on trips. Once I even took a stuffed bunny with me to a sleep study. (Let me be clear: It was not a taxidermied bunny, but what I believe are now called plushies. For taxidermied animals as comfort objects, you should check out The Bloggess.)

My habit started in childhood, when I preferred plushies to Barbies. Every year our Easter baskets contained, in addition to candy and fake grass, a plush bunny. One year I won a plush bunny three-and-a-half feet tall in a raffle. It was wearing a blue and yellow checked dress. My mom found the same fabric and made me a matching one.

Now my collection includes, in addition to bunnies and bears, crocheted armadillos, assorted Beanie Babies (including a crab and a spider), a giraffe, Thing One and Thing Two from The Cat in the Hat, and a Raggedy John Denver doll that a friend made me (the little heart on his chest says “Far Out”).

Nor am I the only one among my circle of friends who treasures assorted comfort objects. Two of my friends have plush animals that could be either husky dogs or gray teddy bears (which they call “huskie bears”). Our friend John had a toy bunny (“Lovie”) to sleep with at home and borrowed a bear my mother had made when he napped at our house after Thanksgiving dinner. My sister had a 12-inch square piece of cloth from her childhood that she named “Tag.” She kept it under her pillow at college. Her roommates teased her unmercifully about it, though really it was a miracle Tag had lasted that long.

One friend even received as a gift a plushie called “My First Bacon.” As I recall, it talked, though I’m not quite sure what talking bacon could say that I would find soothing, except possibly “Eat me.” (Like the cake in Alice in Wonderland. Get your mind out of the gutter.)

But now someone has gotten serious about the therapeutic effects of comfort objects. Wikipedia notes:

Inventor Richard Kopelle created My Therapy Buddy (MTB) in 2002 as a self-described transitional object to benefit “one’s emotional well-being”. The blue creature speaks to you when you squeeze it and says any of a number of phrases that include “everything is going to be alright.”

Here’s a video: https://www.youtube.com/watch?v=H6kSqSzWr0w. It shows a pale blue, bald, pregnant Smurf-like object being cuddled by various people to a background on New Age-type lullabies. One clip even shows it in the mouth of a giant, leering shark, which does not comfort me and does not appear to comfort the shark.

I will stick with my Pirate Winnie-the-Pooh, thanks. Or my plush Puss in Boots that makes a sound like a cat coughing up a hairball and says, “I thought we were done doing things the stupid way.” In the voice of Antonio Banderas, no less.

I guess we all find comfort in our own way, even if some of them seem stupid to others.

 

Is the “Friend Zone” Hell?

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Men fear and hate it. They see it as a torture device invented by women.

If someone harbors any hostility toward you for “only” wanting to be his friend, he’s probably not the best friend or boyfriend. Your friendship is not a consolation prize – and the idea of being relegated to friend status hinges on the notion that he was expecting more in the first place.

Sadly, there is an even worse response than “sex or nothing.” This is what’s known as the “beta male” movement. According to the Urban Dictionary, a beta male is “an unremarkable, careful man who avoids risk and confrontation. Beta males lack the physical presence, charisma and confidence of the Alpha male.” Beta males see themselves as the “nice guys” that women are never attracted to sexually because they are all pursuing “bad boys” who are obviously wrong for them, if only they could see it.
This reaction turns toxic when it leads to anger at the women doing the overlooking of the betas. The “beta uprising” is a (we hope) theoretical rebellion of the supposedly second-class males in order to – I’m not sure what. Eliminate the alpha males so there’ll be less competition? Punish the women who’ve not had sex with the betas?
Some people claim that the threats of violence that can ensue are fantasies, pranks, or posturing. But Reddit, 4chan, and other anonymous groups and sites perpetuate the concept and provide places for the betas to egg each other on. The Colorado theater shooting and the Umpqua College incident have been claimed as part of the uprising. Even if these claims are untrue, I’ve read the threads on 4chan. They’re truly terrifying and appalling.
 So what’s the solution? Remove the term “Friend Zone” from our collective vocabulary? Socialize women so that they become the willing sex partner of anyone who asks? Or how about socializing men so that they understand that sex is a mutual choice, not a male entitlement? Socializing everyone to realize that friendship – between partners of any gender or gender identity – is a good thing?
I’m dubious, but it’s worth a try.

Color My World

Pencils Abstract Background

I don’t know anyone who admits to coloring within the lines when they were kids. Coloring outside the lines was a sign that you refused to accept the rigid dictates of uptight coloring book manufacturers and compulsive kindergarten teachers. It was a badge of freedom and creativity and, for some, poor fine motor skills. It was how the more inhibited of us let our freak flags fly.

Now coloring books are back again, only this time for adults. Or at least adults who color within the lines. Elaborate rose windows and fantasy castles await, ready to be embellished with wee flower petals or swirled ribbons of psychedelic hues.

These grown-up coloring books are touted as the next best thing to meditation, so I thought I’d give it a try. My brain could use the time off from my mundane-but-still-complicated life. However, meditation (and yoga) are pretty much out for me, as my lotus-sitting days are long past and I need help to get up off the floor. Coloring seemed a reasonable, less physically challenging alternative.

I took up the hobby despite the fact that I gave up needlepoint years ago when my eyes refused to cooperate with close work and my hands began to tremble at the touch of nearly blunt needles. At least, I figured, I couldn’t draw much blood stabbing myself with a pencil.

I began coloring around the Christmas holidays – a mistake because of its sudden popularity. The store where my husband works sells coloring supplies, but he had to fight for the very last box of 72 colors. (I haven’t told him that blueberry, aruba, denim, mediterranean, and tidal wave are all the same shade of blue. Berri, wildfire, rose petal, and terracotta are all pink.)

At last, with 72 pencils and coloring book in hand, I’ve joined the coloristas. My book offers Spirograph-type geometric designs, assorted animals, and a few Rorschach-style shapes. I color them all with stunning inaccuracy and near-random color choices, producing mediterranean owls, rose petal turtles, and pages that look less like a cathedral window and more like the Grateful Dead’s laundry basket.

But I don’t care. It is soothing and sort of creative, plus I don’t have to frame the completed pages or clutter up the refrigerator door with them. They can stay in the book where only I can see my freak flag flying.

I’m certainly not going to show them to any kindergarten teachers.

Sapiosexual Seeks Same

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If I were ever to write a personals ad, this is what it would say:

Sapiosexual Seeks Same

for friendship and conversation. If you like literature, science, trivia, genre fiction, cats, humor, journalism, artistic pursuits, creativity, and above all intelligence, I’d like to meet you. Race, appearance, gender identity unimportant. Prefer non-smokers. I’m open-minded. Are you?

Of course, I’m not going to write a personals ad, since I’m married, have been for 30 years, and barely socialize as it is. Polyamory is not an option at this point.

But there you have it. I don’t care about muscles, status, income, or what kind of car a man drives. I want someone who is bright, witty, and creative. Preferably with facial hair, although I will let that slide if everything else meets my criteria.

That describes my husband, my past boyfriends (even the disastrous ones), and my male friends, past and present. We are all interested in, attracted to, aroused by intelligence. That’s what “sapiosexual” means.

(It once occurred to me that the qualities I look for in a man are all above the neck. In fact, three of them – the most important – are above the eyebrows.)

Female sapiosexuals sometimes have a hard time finding someone to socialize with, date, love, and even marry. Part of this, I fear, is due to the ruthless socializing of women in what makes a man desirable – no fatties, no baldies, all the things you regularly see in personals ads. There is less of that among sapiosexual women, as many of them have learned to look past the physical in the search for the intellectual.

Many men are intimidated by sapiosexual women. First, many of us don’t meet the media’s idealized standards of beauty. (Let’s face it, hardly anyone does, so if that’s what you’re looking for, you’re apt to be very lonely.) We have large vocabularies and wide interests, and probably know more than a prospective male friend does on at least one subject. Many of us can and do hold our own in arguments.

These traits lead us to be seen as know-it-alls – Hermione Granger types – who don’t know how to have fun and don’t want anyone else to have fun either. The know-it-all complaint can be true, I must admit, but sapiosexual women do indeed know how to have fun. It’s just that our opinions about what is fun, like so much else about us, diverges from the norm. We have fun in conversations. We enjoy variety and newness. We appreciate learning something new and being challenged. We even enjoy doing those things in bed.

I don’t however, fall for just anyone who is bright, witty, creative and has facial hair. I try to avoid intellectual bullies and nose-looker-downers, those who wield their intelligence as a weapon to intimidate, humiliate, or dominate. You know, those people who glare and shout, “It’s pronounced ‘dis-sect,’ not ‘dy-sect’! TWO esses!” when you’re still in the middle of your sentence.

No, in addition to the above-mentioned traits, I want someone who’s kind. Believe it or not, kindness can be compatible with intelligence.

And let’s not forget that there are different kinds of intelligence. Some people, like me, are word people, who gather information by reading. You often hear readers put down others who watch a lot of television. But some people process information visually or in other ways. Also, some people forego college degrees to practice and improve their creative skills. And some people, like my husband, are experts on people and how they interact. I’ve learned a lot from him.

Where do you find sapiosexuals? Nearly anywhere. If you limit yourself to colleges and think tanks, you’re missing a lot of possibilities. I have known sapiosexuals who work as tow truck or front loader drivers, parks and rec workers, and restaurant managers. I have met them at work and at science fiction conventions (always a place rife with sapiosexuals). I have found them at folk music concerts and house parties. I found my husband outside a food tent at a music festival.

Is there a sexual component to sapiosexual relationships? Absolutely. Despite the stereotype of the brainy nerd who never gets laid, a sapiosexual can be physically as well as intellectually stimulating. Many a relationship has started with a mutual interest in poetry and ended up in bed.

And that’s the point. Sapiosexuals may have a hard time finding fulfilling relationships – whether friends, flirtations, lovers, or marriage partners. But when they do, it’s something special.

Where Have All the Waterbeds Gone?

You don’t hear waterbeds discussed much anymore. It seems like they died out with all the old hippies.

But there are still a few around. The waterbeds are now called “flotation sleep systems.” The old hippies are called “me and my husband.” And we have a waterbed.

Actually, we’ve had one for years. Not the same one, you understand. Waterbeds have a shelf life, and this will become readily apparent at some point.

The operative word used to be “point.” Old-fashioned waterbeds were simply plastic bags of water that you covered with whatever cloth was available. Neither the plastic nor the cloth was all that thick, even if the owners were. Try as you might, you could never find a quilt that would cover the whole thing at once. (Duvets were still far in the future, or in Europe, or somewhere.)

Back to the point. Or points, rather – those appearing at the ends of the toes of cats. Cats do not make good waterbed accessories. The first article I ever sold was to I Love Cats magazine, about how to make waterbed and kitties get along. (It took layers and layers of sheets, blankets, pads, and comforters. And those were just the bottom layers. You still needed blankets and comforters to go on top of the sleepers.)

Nevertheless, at some point (yes, I said it) a waterbed will spring a leak. In the Olden Days, that required a patch kit, rather like those used for bicycle inner tubes, which also no longer exist. The waterbed patch kits didn’t really work. All you could do was drain the waterbed, haul it outside and get a new one.

I had not been sold on the idea of getting a waterbed at first. The early ones squished and swayed and set up riptides, and I have an inner ear problem. I pictured myself throwing up every morning and giving my husband a pregnancy scare.

Now waterbeds are “waveless,” which means they come with long vinyl sausages, each to be filled with water, inside what is essentially a cardboard box. The mattress also comes with a patch kit, which is also useless. But at least you can drain and haul only the one leaky sausage and replace that one.

If you can find one. There are stores that will sell you a single sausage, or at least order the right model. We had to sleep on recliner chairs for a week and drive thirty miles to get one. Then again with the draining and hauling and let me tell you, even the individual sausages are heavy. Do you have any idea how much water actually weighs? I do.

Waterbed heaters are now out of vogue, owing to the possibility of electrocution, but for a while they were the must-have accessory. The one we bought (which managed not to fry us) came with a programmable alarm system. Not, as you might think, an alarm to warn of impending uncontrolled voltage, but a regular alarm of the sort that wakes you in the morning.

The SalesDude told us that it would wake us gently with a “tune.” OK. Sounds nice. Until the first morning it went off. Nee na nee nee nee na nee, nee na nee nee nee na nee, nee na nee nee nee na nee, nee nah nee nee nee na neeee! By the second nee na nee nee nee na nee we were fully awake and aware that the “tune” it was playing was “It’s a Small World.” We fumbled around and got it turned off before we lost our sanity, but only just barely.

When we went back to the store to complain, it went like this:

Us: Did you know that the alarm feature plays “It’s a Small World”?

SalesDude: No. ::snerk:: I had no idea! Hey, Jeff, did you know that the alarm feature plays ::snerk:: “It’s a Small World”?

Jeff: No! I had no idea! ::snerk:: ::snerk::

Us: Well, do you have one that plays anything else? Even “Edelweiss” would be better. Or “God Bless America.”

SakesDude: ::snerk:: No, that’s the only model there is. Isn’t that right, Jeff?

Jeff: ::cough:: That’s right. ::cough::

So then we had to buy a regular alarm clock too. Somewhere else.

The waterbed we have now keeps its tunehole shut, waves as much as your average fishbowl, and grudgingly accepts regular deep-pocket sheets. It fits in the frame of an Amish sleigh/spindle bed and looks like something that belongs in a bedroom, not a head shop or a crash pad.

Well, except for the old hippies sleeping on it.

Guest Post!

Today I have a guest post on Insights from a Bipolar Bear. You can see it here: http://www.insightsbipolarbear.com/brain-vs-brain/