I have been an editor. I have rejected lots of manuscripts.
I have been a writer. I have been rejected by lots of editors and agents and magazines and ezines.
Right now I have two books in the works: a memoir based on my other blog (bipolarjan.wordpress.com) and a mystery novel hovering around 40,000 pages (60-75,000 would be a reasonable length).
Here’s what I’ve learned.
BOOKS
I’ve learned one queries nonfiction with a proposal and fiction with a completed manuscript. However, I spent so long contacting agents and publishers about the memoir that I actually finished it while I was waiting to hear back.
At some point, you will reach the “This book is crap” stage. Do not give up. This is natural and to be expected at least once or twice. The thing to do is pause. Go read a book about how to plot or write description or whatever it is that made you say “This is crap.” Or work on another project for a while. You do have at least two going, don’t you? Or at least a great idea for another one? Or you could join a writers’ group and see if any of them can figure out the reason for the crapitude.
Note: The first draft is not a manuscript and should not be submitted. That’s why it’s called a first draft. You will need at least another draft or three before it’s ready to release into the wild.
Yes, you need an agent. Probably. Only a few publishing companies look at proposals and manuscripts that don’t come from an agent. There used to be editorial assistants who had to read those submissions, but budgets are tighter than tight in the publishing industry. You don’t need an agent to submit smaller pieces of work like short stories and articles.
Which brings us to:
EZINES and MAGAZINES.
I write blog posts of 600-1000 words and, if appropriate, submit them to online magazines. (Most of this applies to print magazines too, if you can still find one.) A large part of the time, it’s like dropping my writing down a proverbial well. But again, I’ve learned a few things.
First, a heresy: You will have to write for no money. At first, anyway. People who say not to write for free are coming from a position of privilege. They are at a stage in their careers when they can get actual money (at least a little). If you’re just starting out, you’re not. There are reasons for this.
Some editors will want to see work that you’ve had published, just so they can tell you can write, meet deadlines, and be professional. The other reason is exposure. Yes, I know starving artists die of exposure. Yes, I know that exposure doesn’t pay the rent. But it does help in other ways.
An agent or an editor will look at a query more seriously if it says, “I am a regular contributor to X website and have been published on Y and Z.” Or “I have had short stories printed in Publication A and B.” Even if you only got six copies of the magazine as pay, or a byline and a bio, these are credits. They indicate that you’re more than just a wannabe. After you’ve got a few credits to your name, you can start pitching to sites that pay.
Do you really need to pitch? Or can you just send a story or article? Publications differ. The website will have a page helpfully called “How to Submit” or “Submission Guidelines.” Follow these instructions exactly. If they say query first, do that. If they say send completed story, do that. If they say paste it in the body of an email, do that. If they say attach your file as a Word doc, do that. Whatever they want, give it to them. It takes longer than blasting out a flurry of identical query letters or submissions, but it increases your chances of getting favorable attention.
I have either made all of the above mistakes or seen them made by people who submitted work to my publications. I can’t guarantee that any of this advice will get you published. This business doesn’t come with guarantees. But you can piggyback on my failures and those of others on your way to becoming a success. Good luck. Even if you’re a terrific writer, you’ll still need it!
Now back to that “ttto.” It may be fairly easy to decode that as “to the tune of,” just from context. IMHO, AFAIK, BTW, and IIRC are becoming common enough online acronyms, but what are we to do with TH:TBotFA? Or THGttG (sometimes written as THHGttG). I know we all could sit here for hours and make up things that they could stand for, but there are better things to do, like petting the cat or helping the needy.
Deadly boring meetings are one of the hazards of office life. They don’t actually take your life (most of the time), but they can make you wish they would. (There have been stories about office workers who died in their cubicles and went undiscovered for days, but these are largely untrue. No matter how rancid the office refrigerator smells, a decomposing body surely out-ranks it. Though too-energetic air conditioning can delay the process. But I digress.)
The right to privacy, as defined by the historic Roe v. Wade decision, ought to be something that conservatives could get behind.

By the time this post is up, President Trump will have been inaugurated and many parties will have held many parties. And a lot of people have a lot to say about that, on both sides.
My husband used to accuse me of not knowing how to have fun. And he was right, sort of, in the sense that his ways of having fun and mine were (and are) very different. Now, as I stumble toward the age when the only fun consists of waving my cane at children and telling them to stay off my lawn, I have begun to rethink the whole concept of fun.
Both are seen as moral failings. If only people tried harder, worked more, improved themselves, they could lift themselves out of poverty. Without relying on anyone else’s help, which would be shameful.